▌gostream▌ Star Wars: Episode IX - The Rise of Skywalker Watch Free

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Creator=George Lucas

USA

Actor=Adam Driver, Daisy Ridley

average rating=7,1 / 10

year=2019

Fantasy

Star wars 3a episode ix- the rise of skywalker watch free new. Home > Star Wars Saga > Star Wars: The Rise of Skywalker Critics Consensus Star Wars: The Rise of Skywalker suffers from a frustrating lack of imagination, but concludes this beloved saga with fan-focused devotion. 52% TOMATOMETER Total Count: 477 86% Audience Score Verified Ratings: 98, 162 Star Wars: The Rise of Skywalker Ratings & Reviews Explanation Tickets & Showtimes The movie doesn't seem to be playing near you. Go back Enter your location to see showtimes near you. Videos Photos Movie Info The battle between the Jedi and the Sith comes to a thrilling conclusion in this final chapter of the Skywalker Saga. A year following the events of The Last Jedi, the remaining members of the Resistance are forced to confront their past while taking on the First Order one more time. Rating: PG-13 (for sci-fi violence and action) Genre: Directed By: Written By: In Theaters: Dec 20, 2019 wide On Disc/Streaming: Mar 17, 2020 Runtime: 155 minutes Studio: Walt Disney Pictures Cast News & Interviews for Star Wars: The Rise of Skywalker Critic Reviews for Star Wars: The Rise of Skywalker Audience Reviews for Star Wars: The Rise of Skywalker Star Wars: The Rise of Skywalker Quotes Movie & TV guides.

 

Love the Twinkle in Reys eye at the end. So glad we have a real director back at the helm. Will be going opening night. Star Wars: Episode IX - The Rise of Skywalker Watch free mobile.

 

Cried. I am very much expecting it! Expectation was betrayed in a good sense. t is, flying the imagination of 120 parsecs or more ahead. I am anxious but I am looking forward to it! May the Force be with us. Star wars 3a episode ix- the rise of skywalker watch free status. FANDOM " The saga will end. The story lives forever. " ―Final trailer [src] Star Wars: Episode IX The Rise of Skywalker, marketed as Star Wars: The Rise of Skywalker, is a 2019 film directed by J. J. Abrams from a script by Abrams and Chris Terrio. It is the third and final film in the Star Wars sequel trilogy. The film, produced by Lucasfilm president Kathleen Kennedy, is a continuation of 2015 's The Force Awakens, which Abrams also directed and co-wrote, and 2017 's The Last Jedi. Lucasfilm has referred to The Rise of Skywalker as the final installment of the Skywalker saga. The film stars Carrie Fisher, Mark Hamill, Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Anthony Daniels, Naomi Ackie, Domhnall Gleeson, Richard E. Grant, Lupita Nyong'o, Keri Russell, Joonas Suotamo, Kelly Marie Tran, with Ian McDiarmid and Billy Dee Williams. Fisher, who passed away in 2016 prior to the film's production, appeared via unused footage from The Force Awakens. The film was first announced after The Walt Disney Company acquired Lucasfilm Ltd. in 2012. Colin Trevorrow was initially announced as the director and writer of the film, but he and Lucasfilm parted ways in September 2017, with Lucasfilm citing "creative differences" over the project. On September 12, 2017, Abrams and Terrio were announced as the new director and writers. Principal photography began in 2018, and filming wrapped in 2019. Footage from The Rise of Skywalker was first made public on April 12, 2019 at Celebration Chicago. The film was released on December 20, 2019. It received mixed reviews from critics. The Rise of Skywalker received three nominations at the 92nd Academy Awards: Best Original Score, Best Visual Effects, and Best Sound Editing. It has grossed over $1 billion worldwide, making it the forty-sixth highest-grossing film of all time. Opening crawl Edit Episode IX THE RISE OF SKYWALKER The dead speak! The galaxy has heard a mysterious broadcast, a threat of REVENGE in the sinister voice of the late EMPEROR PALPATINE. GENERAL LEIA ORGANA dispatches secret agents to gather intelligence, while REY, the last hope of the Jedi, trains for battle against the diabolical FIRST ORDER. Meanwhile, Supreme Leader KYLO REN rages in search of the phantom Emperor, determined to destroy any threat to his power.... Synopsis Edit Darkness rises... Edit " At last. Snoke trained you well. " ―Emperor Palpatine, to Kylo Ren [src] A year after the battle of Crait, Supreme Leader Kylo Ren leads a vicious assault against Alazmec colonists on Mustafar, seeking a wayfinder owned by Ren's grandfather, Darth Vader; he requires the device as a guide in his hunt for the returned Sith Emperor Palpatine, who he perceives as a threat to his power. The Leader slaughters many colonists alongside his stormtroopers before retrieving the device and slotting it into his ship, allowing its dark power to lead him through the crimson energy storms that surround the fabled Sith vastness of Exegol. Landing at the foot of an enormous citadel, Ren ignites his blade and enters, eventually reaching a vast chamber lined with worn statues of Sith legends. As he descends into its depths, he hears the Emperor mocking him; Ren's declaration that he had killed Snoke is dismissed: "I made Snoke. " Lightning dances around the young dark side adept as he listens to the taunting words, spoken in a voice transitioning from that of the Emperor himself to that of Snoke and, finally, to that of Vader: "I have been every have ever your head. " Ren, unshaken, proceeds further into the citadel, walking for some time among the towering effigies. His path lit by his blade, the young man eventually wanders into a maze of unfamiliar equipment tended by robed acolytes. Tall cylinders filled with a sickly golden liquid hold motionless, incomplete bodies with the mutilated visage of the dead Snoke; the Emperor's earlier words that he created the previous Supreme Leader are confirmed. Among these machines, bound by innumerable tubes and wires to machines of support and sustenance, is the emaciated figure of Palpatine himself. Ren raises his blade, but the Emperor speaks and stays his hand, explaining that the First Order was merely a harbinger of what he could bring about. A threat from the Supreme Leader seems to amuse Palpatine, who assures the Supreme Leader that he has died before, and issues a familiar promise: the dark side is a pathway to many abilities some consider to be unnatural. Ren asks what Palpatine would give him; the Dark Lord replies simply: "Everything. " At the surface, the ice cracks and yields as innumerable Star Destroyers ascend from the frozen sea into the tempestuous sky. With this, an ominously smiling Palpatine orders Ren to kill Rey and so end the Jedi Order, in the act becoming what his legendary grandfather could not, and so that the younger man will take his place as Emperor when the Resistance ends. However, he also issues a warning: that Rey is not who he expects. A vital mission Edit " He's definitely cheating. " ―Finn, on Chewbacca's playing of dejarik [src] Meanwhile, on the Millennium Falcon, ex-stormtrooper Finn and Resistance pilot Poe Dameron engage the Wookiee Chewbacca in an intense game of dejarik. The Wookiee takes some time considering his next move, and his human opponents jokingly suggest that he may be cheating. The implication infuriates Chewbacca, forcing Finn and Poe to calm him. Before their game can resume, an alarm sounds from the cockpit. Passing Klaud, a Resistance technician, in the corridor, the trio arrive in their seats just as the Falcon exits hyperspace. The Falcon arrives at the Sinta Glacier Colony to meet a Resistance informant, the Ovissian Boolio, who tells them about a spy and gives them a message in the form of a data encoder, ordering them to give it to Leia. Finn proceeds to insert the message into R2-D2. Before more can be said, several squadrons of TIE fighters scream into the system, prepared to take down the Falcon. As Finn prepares for the action and heads to the gunner cockpit, Boolio tells him to win the war before heading off. Forced to head into the depths of the colony by a wall of TIEs, the Falcon destroys a number of its pursuers before jumping to hyperspace through one of the colony's walls. The remaining fighters pursue them regardless, and Poe begins lightspeed skipping through a number of systems, whose dangers the First Order pilots are unable to evade. Poe is able to outmaneuver the enemy, though his reckless trick-flying heavily damages the Falcon. A Jedi rises Edit " Be with me. Be with me. They're not with me. " ―Rey, as she meditates [src] On the jungle world of Ajan Kloss, which serves as the hidden base of the Resistance, Rey meditates solemnly, floating in the air alongside a number of rocks. She tries to maintain her composure and balance, but ultimately fails and, with a sigh, lowers herself to the ground. General Leia Organa, who had been watching nearby, comforts the discouraged acolyte, assuring her that nothing is impossible and that she will be able to commune with the Jedi who came before her, as she hopes to. Reinvigorated, Rey accepts Anakin Skywalker's lightsaber and takes off running on another bout with her training course. She expertly runs and leaps through the obstacles, imbuing her actions with the Force. She blocks every bolt from her hovering training droid, but pauses and stares as it is revealed that Kylo Ren, to whom she is bound through the Force, is communing with his grandfather's helmet and speaking to her from his chambers far across the galaxy. A vision, induced by Ren, terrifies the Jedi: the ascensions of the Sith Eternal fleet above Exegol; the face of her murdered mentor and Ren's father, Han Solo; the pained words of her master, Luke Skywalker, as she tapped into the dark side; her duel with and alongside Ren against the Praetorian Guards of Snoke; the departure of her parents from Jakku, leaving her behind in the grip of Unkar Plutt. In a rage, she ultimately batters the training remote with her staff, but damages BB-8 in the process. Rescuing the droid from beneath the tree that had collapsed on him, Rey returns to the base and concedes to Leia that she feels tired and unready to wield the saber of her master. BB-8 excitedly volunteers to take up the mantle, which Rey dismisses; smiling, Leia kindly reminds her never to underestimate a droid. Some time later, in the midst of Rey's studies of the ancient texts she retrieved from the First Jedi Temple, the Falcon returns. It has been, however, severely damaged in the course of its escape from the First Order squadrons; Rey berates a fatigued Dameron for this, but he rebuffs her by noting that BB-8 is in similarly poor condition due to her earlier training accident. Rey dismisses the pilot, quipping that he's a difficult man, before hugging Finn, who jokingly joins her in condemning his companion. Although Rey is further angered by the revelation that Poe lightspeed skipped with the Falcon, a maneuver that the aging freighter cannot support, but the pilot admits the true cause of his concern: Rey is "the best fighter [the Resistance] has, " but she has spent her time since Crait training and furthering her knowledge of the Force rather than participating in the war against the First Order. "We need you out there, not here, " Dameron says before stalking off to begin briefing the Resistance on the information his group had obtained. Poe cheerlessly informs those gathered that the message sent across the galaxy is confirmed: Palpatine has returned, heading an unprecedented fleet, with ambitions of vengeance and conquest. Rose Tico is dubious that the Emperor has truly risen again; Beaumont Kin raises the point of cloning and that the dark side held secrets only the Sith knew. Dameron further exposits that the designs of Palpatine have led to the creation of the Final Order, true successor to the Empire. In sixteen hours, the armada will embark from Exegol on a mission of galactic subjugation. C-3PO chimes in, noting that Exegol is not on any star maps, and is described in lore as the Hidden World of the Sith. With this dismal news, the Resistance quietly debates their options until Rey, holding up one of her tomes, informs Leia that she needs to speak with the general privately. Showing her pages in the book, Rey explains that Luke had been searching for a wayfinder much the same way his former apprentice Ren had been doing, with a similar goal of reaching Exegol. However, his hunt had been left incomplete at its final step; if the Resistance could complete it, they could locate the wayfinder and use it to reach Exegol. Leia refuses to support this new mission, claiming that it is too dangerous, but the scavenger admits that she will go with or without the general's blessing, knowing that her newest mentor would do the same. Accepting this, Leia dispatches her student to the desert of Pasaana, where a contact will be waiting. Though Rey plans to go alone, Poe, Chewie, and Finn tell her that they will accompany her. Though initially unwilling to accept the help and claiming she must accomplish the task alone, with a small speech from Finn, Rey accepts their aid. C-3PO also joins the group aboard the Falcon as it undergoes repairs, stating to R2-D2 before departure that, should he not survive, the astromech was the "best friend he ever had. " Finn briefly says farewell to Tico, confident that he will return, and Rey speaks once more with Leia, wishing that she could tell the princess of Alderaan everything she wanted to. Reassuring her student once again, Leia simply says: "tell me when you get back. " The two hug, and Rey, emboldened, departs with her friends aboard the Falcon. Rise of a dark warrior Edit " We have a spy in our midst. Whoever that traitor is, it won't stop us. " ―Kylo Ren, to the Supreme Council [src] A metalsmith, Symeong Sith alchemist Albrekh, stiches Ren's helmet back together as he looks on surrounded by his Knights of Ren. With that, the Supreme Leader convenes a meeting of the First Order Council aboard his Star Destroyer, including General Armitage Hux and Allegiant General Enric Pryde. Ren, who has found and killed Boolio, slams Boolio's bloody, decapitated head on the table and informs them that they have a spy in their midst, but that it is irrelevant. A moment of tense silence leads him to ask if Hux, his rival in the First Order power structure, is troubled by his appearance; the general quietly dismisses this concern, while another officer says that she likes Ren's reassembled helmet. Quinn speaks up, dismissing the Sith Eternal as "a cult, conjurers and soothsayers. " Pryde refutes these concerns, stating that the resources of the First Order will be increased ten thousand fold by the incorporation of the Sith fleet into their own ranks. With a spiteful glance at a glowering Hux, Pryde notes that the influence of this ancient power will "correct the error of Starkiller Base. " Unconvinced, Quinn wonders aloud if the ships are truly a gift, and what Palpatine might demand in return. In response, Ren brutally chokes the general through the Force and lifts his body to the ceiling without even looking at him. The fallen Jedi then commands his officers to prepare to crush any worlds that will defy the Order, and that he and his acolytes will be hunting the scavenger. Mission to Pasaana Edit " The Aki-Aki Festival of the Ancestors! This celebration occurs only once every forty-two years! " ―C-3PO [src] The Falcon comes out of hyperspace over the desert planet of Pasaana. They land at Luke's coordinates and arrive at the Aki-Aki Festival of the Ancestors. Wandering among the crowd for a while, the group tries to keep a low profile. As Rey gazes at some Aki Aki youngsters, a child approaches her. Translated by 3PO, the child says she is named Nambi Ghima and offers a necklace to Rey, who smiles and accepts the kind gesture. When Ghima inquires as to the Jedi acolyte's family name, she replies that she doesn't have one. At that moment, Kylo Ren establishes a connection with Rey through their bond. Speaking to her through this, Ren informs his quarry that Palpatine wants her dead. Rey comments that he is serving another master, but the fallen Jedi dismisses this, stating that he has plans of his own. After insisting that he will turn her to the dark side, Ren reaches out and grabs her necklace, pulling it through the Force into his own hands. Rey realizes the First Order will soon be coming and runs off to warn her friends. As they reconvene and prepare to escape, a stormtrooper finds them but is quickly shot by a mysterious figure. This masked savior asks Rey and her team to follow him. Once they enter a transport, he reveals himself to be Lando Calrissian, the man who destroyed the second Death Star at the Battle of Endor many years prior. He shows them a hologram of a Sith wayfinder and explains that only two were ever created. He further reveals that he once accompanied Luke on a mission to track a man named Ochi, whom they believed held information key to locating one of the devices, but when they arrived, they found his ship abandoned. Lando apparently remained behind on Pasaana. The old hero of the Rebellion offers them directions to Ochi's ship, which remains in the desert where he left it. Squadrons of TIEs and First Order dropships fly overhead as the crew hurries through the crowds to the fringes of the festival, eventually stealing a pair of skiff speeders. They are quickly spotted, however, and First Order treadspeeders begin a fierce pursuit, aided by jet troopers. They prove no match for the gang of heroes and are swiftly dispatched, though the chase drives the speeders into the Sinking Fields, where the damage done by the troopers fells them and sends the heroes into the quicksand. They fall through it into a web of caves below the surface, quickly joining up as they use the glow of the Skywalker blade and Poe's diminutive flashlight to guide themselves through the confusing network of tunnels. The group eventually locates Ochi's remains, revealing that the Jedi hunter was swallowed by the sands and never escaped. Alongside his bones is a dagger that Rey senses has a dark past, while 3PO recognizes that it is inscribed with the ancient language of the Sith and is unable to translate due to restrictions on his programming. Dameron laments to the droid that this is "the one time we need you to talk, and you can't. " As they are about to depart and look for a way out, the team is cornered by an aggressive vexis snake. They prepare to fight the beast, but Rey notices that the serpent is injured. Using Force healing, Rey manages to appease the creature, which tunnels through the rock to create an escape for the team. At the same time, it is revealed that the Knights of Ren have arrived on Pasaana, and are hunting them. The team hurries to Ochi's ship. As they near it, Rey pauses, the Force having informed her that Ren has arrived. She sends her friends ahead to the ship before running back into the desert to confront her nemesis. In the distance, Ren's new TIE fighter roars through the desert only meters above the sand. As it nears her, Rey runs into a leap and, as the ship flies beneath her, she severs a wing with her lightsaber and sends the ship into a tailspin. It crashes in a fireball some distance away. During this time, however, Chewbacca and the dagger have been captured by the Knights and stormtroopers while the Wookiee was leaving to retrieve Rey. Finn observes the latter forcing the Wookiee onto a transport, and runs to Rey to inform her of this. Kylo Ren, having emerged from the wreckage of his ship, advances across the desert and engages in a duel of the Force with Rey, each of them pulling the First Order transport to their side. In this struggle, Rey accidentally releases a burst of Force lightning, destroying the vessel and seemingly killing Chewbacca. Ren allows the Jedi and her allies to escape in Ochi's vessel, as his own troops have captured the Falcon. As the Jedi hunter's ship hurries away from Pasaana, Rey mourns that she has apparently killed Chewbacca. Finn attempts to reassure her, stating that he knows the good person he believes her to be, but she dismisses his words, claiming that no one knows the truth behind who she is. As the wookiee had the dagger, a further setback is revealed: they have no way to reach Exegol. C-3PO, however, reveals that he has retained the information from the dagger in his memory. A plan to hack the protocol droid's programming restrictions is formed, and following a tip from Poe, the heroes set course for Kijimi. During the trip, BB-8 finds and reactivates the droid D-O on Ochi's ship. A new mission Edit " Spice runner?! " ―Finn, after finding out Poe's former occupation [src] The heroes of the Resistance make their way to the snow-dusted planet of Kijimi to execute their plan to discover what secrets the Dagger held. The Resistance team arrives on the planet and bump into Zorii Bliss and her crew. She reveals that Poe has a colorful past, once worked as a spice runner and still owes her money. A skirmish occurs before Rey gets the upper hand and Zorii agrees to bring them to Babu Frik to hack C-3PO's programming to read the Sith language on the Dagger. Unknown to them, the Knights of Ren have tracked them there. Zorii Bliss brings them through a back alley and into a little bar in order to get to the droid ship. Frik tells everyone that he can unlock the message to be read, but in doing so C-3PO's memory will be wiped. Still reeling from the loss of Chewbacca, the heroes argue about finding another way to get the job done, but in an act of self-sacrifice C-3PO voluntarily consent to the modifications, knowing that he will be lost in the act. Frik completes the hack and 3PO is now able to read the message inscribed on the Dagger. The translated text points them to the location of Emperor's wayfinder. Having served his purpose, 3PO's memory wipe begins and he shuts down. Once the memory wipe is complete, 3PO reboots with a completely empty memory. Outside the bar, Zorii and Poe reminisce about old times. There is some lingering connection there even though they had some sort of falling out in the past. Poe tries to convince Zorii to join them. She turns him down, but she understands the good in what Poe is trying to do and gives him a First Order Captain's Medallion as a gesture of goodwill to help them get through First Order security. She had been saving to buy this medallion on the black market as her ticket off Kijimi and away from her spice running days, but she gives it to Poe. As the First Order arrives, Rey senses that Chewie is alive. As the heroes escape on Ochi's ship, the group makes the decision to use the passage device to board the Star Destroyer and recapture the Falcon and save Chewie. The device works, and their ship lands without question. Rey uses a mind trick to confuse the stormtroopers, enabling them to find Chewie; though Rey splits off, feeling as if something is calling to her. Meanwhile, Poe and Finn find Chewie, but their rescue attempt fails and they are all taken captive. The calling Rey feels is caused by the dagger which draws her to it in Kylo's living quarters. Rey finds and grabs Ochi's blade, but when she does, it gives her visions of what happened to her par ents. Ochi found and killed them with that dagger and that her parents were trying to hide her from Ochi. When she breaks free of the vision a bond with Kylo begins. He discovers that she is on his Star Destroyer and a lightsaber duel breaks out between the two of them across two different locations, Kylo on the surface of Kijimi and Rey aboard the Star Destroyer. During this encounter, Kylo reveals that there is more to the story behind Rey and her parents. Ochi was sent to find and recover Rey, not kill her. Her parents just got in the way, so he killed them. She is still wanted for the darkness that resides within her. It's clear that by this point, Kylo is fully committed to the Sith Lord's mission for him. A new revelation Edit " You're a Palpatine. " ―Kylo Ren, to Rey [src] When it appears that all is lost for Finn, Poe, and Chewie, who have been captured by the First Order, General Hux arrives and surprisingly not only allows them to escape but points them in the direction of the Falcon. Hux was the mole within the First Order that Finn and Poe had received information from. When asked, he tells them that he wasn't doing it to help the Resistance, but rather because he didn't want Kylo Ren to win. Ren arrives and faces off Rey, in which he reveals that she is Palpatine's granddaughter; her father was the son of the Emperor. Kylo once again offers for Rey to join him, but she refuses, escaping in the Falcon. After they leave, Pryde kills Hux for treason against the First Order and assumes control of the First Order military. Palpatine contacts Pryde and demands that he use one of the specially equipped Star Destroyers to destroy Kijimi as an act of loyalty and Pryde complies. Pryde tells Kylo that even though they don't have the dagger, they know where the Resistance is going because they scanned it while it was still in their possession. Mission to Kef Bir Edit " He said you'd come. He said you were the last hope. " ―Jannah, of Rey's team [src] The information learned from C-3PO's translation of the dagger's writing leads to the location of a second wayfinder device which turns out to be aboard the wreckage of the second Death Star on the ocean moon of Kef Bir. The team eventually meets a woman named Jannah. She heard about them from Babu Frik and at their urging, offers to take them to the location of the wayfinder the next day. While fixing the Falcon with Finn, Jannah reveals she was once a stormtrooper known as TZ-1719 and that her whole tribe were former troopers. They mutinied at a battle in which they were told to fire on civilians. But soon, the group realizes they had not seen Rey. She had, in fact, taken a skimmer and was headed to get the wayfinder. Rey uses the dagger to locate the wayfinder by aligning a plate hidden in the hilt with a specific part of the Death Star's wreckage, and discovering the two shapes match perfectly. Upon contacting the wayfinder, she envisions herself as a Sith; a short duel between Rey and the Sith vision ensues. Shortly after, Kylo, having tracked the group to Kef Bir, finds and destroys the wayfinder in an attempt to channel her anger, thus dueling Rey. Ren, however, gets the upper hand, but as a dying Leia calls to Kylo by his name Ben through the Force, Rey impales him. Sensing Leia's death, Rey heals Kylo and takes his TIE whisper to exile herself to Ahch-To, shaken by her Sith lineage. As she prepares to throw the Skywalker lightsaber into the burning wreckage of Kylo's TIE whisper, Luke's Force spirit appears. He tells the story of Leia's Jedi training and encourages Rey to face Palpatine as he faced Darth Vader, giving Leia's lightsaber and his old X-wing. Rey leaves for Exegol, using the wayfinder on Kylo's ship. On Kef Bir, Kylo converses with a vision of Han Solo, his father, and throws his lightsaber into the water near the wreckage of the Death Star, reclaiming his identity as Ben Solo. Upon the Steadfast, Palpatine communes with Pryde over a hologram. The Sith Lord discusses the failure of the late Kylo Ren before Pryde, now de facto leader of the First Order. Pryde, a loyal Imperial during the time of the Empire prior to the Galactic Civil War, pledges the organization to the Final Order to the Emperor. Palpatine then commands Pryde to join him on Exegol, and informs the Allegiant General that a Xyston -class Star Destroyer from the Sith fleet is to be transferred to the First Order, intending to prove the General's loyalty by ordering him to send it to a planet with ties to the Resistance. Subsequently, Pryde has the Star Destroyer sent to destroy Kijimi with its axial superlaser at the Palpatine's behest. With the deed done, the Sith fleet on Exegol sees itself headed by Pryde aboard the Steadfast. Confrontation on Exegol Edit " She will take her revenge, and with a stroke of her saber, the Sith will be reborn! The Jedi are dead! " ―Emperor Palpatine, to Rey and the Sith Eternal [src] Rey arrives on Exegol and transmits her location to the Resistance. She confronts Palpatine and the Sith Eternal, who demands that she kill him to transfer his spirit into Rey. The Resistance engages in battle with the Sith Lord's fleet, though they are overpowered, suffering losses like Temmin Wexley. Ben overpowers the Knights of Ren and arrives to help Rey, but Palpatine rejuvenates himself by absorbing the life essences of Rey and Ben and then disables the Resistance fleet above with Force lightning. Palpatine tells Ben that he will be the last Skywalker and uses the Force to throw him into a nearby chasm, seemingly killing him. A weakened Rey hears the voices of past Jedi ( Obi-Wan Kenobi, Qui-Gon Jinn, Ahsoka Tano, Yoda, Mace Windu, Kanan Jarrus, Aayla Secura, Luminara Unduli, Adi Gallia, Luke Skywalker, and Anakin Skywalker), who lend their strength and encourage her to continue on. Palpatine furiously attempts to destroy Rey with lightning, but she deflects it back towards him using the two lightsabers, disintegrating his body and killing him once and for all. However, Rey dies from the effort of the powerful attack. A hand appears at the edge of the chasm and an injured Ben pulls himself up, falling to his knees beside Rey and pulling her dead body into his lap. He embraces Rey's body. Pulling away, Ben puts his hand on her stomach and uses the Force to resurrect her. Rey awakens, smiling at Ben and touching his cheek gently. The two embrace before Rey kisses him. Moments later, Ben falls backward and dies, having given his remaining life essence to her. His body fades away as he becomes one with the Force; At that moment, Leia's body does the same. After returning for Finn and Jannah, Lando leads the Resistance, now backed by reinforcements, including Zorii Bliss; who were able to destroy the remainder of the Sith Lord's armada, ending the First Order-Resistance war and beginning a new age of peace across the galaxy. A war ends Edit " People are rising up all over the galaxy. Poe, we did it. " " We did it. " ―Finn and Poe Dameron [src] The Resistance and the galaxy at large celebrate their victory. Maz Kanata bestows Chewbacca with a Medal of Bravery, which Han was rewarded with following the Battle of Yavin. Poe and Zorii exchange a look and it seems like Poe is trying to ask Zorii if she would like to celebrate with him privately, to which she shakes her head. Rey then returns and shares a hug with Finn and Poe. Rey visits the Lars homestead on Tatooine, where she buries Anakin and Leia's lightsabers in the sand, having now built her own — a black-handled lightsaber with a golden blade. A local asks her name and, seeing spirits of Luke and Leia look on, Rey gives her name as "Rey Skywalker". Rey and BB-8 then watch the twin suns of Tatooine rise. Development Edit " To have no script and to have a release date and have it be essentially a two-year window when you're saying (to yourself), you've got two years from the decision to do it to release, and you have literally nothing... You don't have the story, you don't have the cast, you don't have the designers, the sets. There was a crew, and there were things that will be worked on for the version that preceded ours, but this was starting over. " ―J. Abrams, on taking over from Colin Trevorrow [src] Long before Lucasfilm's acquisition by Disney in 2012, Star Wars creator George Lucas mentioned that he had plans to make nine films. [12] In 1976, Lucas asked Mark Hamill to make a cameo in the film ("like Obi-Wan handing the lightsaber down to the next new hope"), which he estimated at the time would be filmed "around 2011. " [13] According to Hamill, Lucas's outline for the sequel trilogy had Luke Skywalker surviving until Episode IX and training Leia Organa in the Force; [14] Hamill was an advocate for this version of the story. [15] Producer Gary Kurtz mentioned in a 1999 interview that Lucas's plans for Episode IX included the first appearance of the Emperor, a plot point ultimately used in the original trilogy 's conclusion. [16] Both J. Abrams and Rian Johnson were rumored to be involved with early development for Episode IX, [17] [18] though they each denied this, [19] [20] with Abrams saying on his part "We don't write a treatment but there are countless times we came up with something and said 'oh, this would be so great for Episode VIII! ' or 'Thats what we could get to in IX! ' [19] According to The Force Awakens co-writer Lawrence Kasdan, the Lucasfilm creative team developed a general idea early on as to how they wanted the film to end. [21] This was echoed by Kylo Ren actor Adam Driver: "With Star Wars, I had one piece of information of where it was all going, and that's where it has been in my head for a long time, and things were building towards that. " [22] In August 2015, Colin Trevorrow was announced as director for Episode IX. [23] As Abrams and Johnson had to ensure a smooth transition between Episodes VII and VIII, Johnson and Trevorrow worked closely to ensure continuity between their respective films. [24] With cinematographer John Schwartzman, Trevorrow planned to shoot on 65 mm film, and wanted to capture some footage in actual outer space. [25] [26] He presented the completed script to Lucasfilm (as well as Lucas and Hamill) [27] in early December of 2016 [28] —entitled Duel of the Fates. [29] [30] Death of Carrie Fisher Edit " The minute she finished, she grabbed me and said, 'I'd better be at the forefront of IX! ' Because Harrison was front and center on VII, and Mark is front and center on VIII. She thought IX would be her movie. And it would have been. " ―Kathleen Kennedy, on Carrie Fisher's death [src] Carrie Fisher died on December 27, 2016. Given that her character had featured prominently in Trevorrow's script, [31] [32] the filmmaker met with Lucasfilm president Kathleen Kennedy in January 2017 to discuss possible story solutions. [33] Kennedy said that the team had "pretty much started over, " [34] and it was reported that Jack Thorne was hired to rewrite the initial script. [35] However, in September 2017, it was announced that Trevorrow had left the project due to creative differences, [36] and that he would be replaced by Abrams. [1] According to Kennedy, it was during the initial scripting phase that she realized Trevorrow wasn't the right person for the job; [37] She attributed this to Trevorrow having not been present at the story conferences for The Force Awakens, during which a basic plan for the trilogy had been laid out. [38] Disney reportedly agreed to pay a fee to Paramount Pictures so that Abrams could make the film, as he had been in breach of contract with the latter by his involvement in The Force Awakens. [39] Abrams pitched his story to Disney head Bob Iger in December 2017 [40] and had a script ready by February 2018. [41] As he told Rolling Stone, "I had no intention to return. But when the opportunity presented itself to finish a story that we had begun with these new characters, to tell the last chapter of their story, it felt like there was a chance to do it in a way where we could go beyond, and do better than we did in Seven. " [42] Due to the time constraints and pressure of returning to the series, Abrams asked Chris Terrio to co-write the film. [43] In May 2018, he told The Wall Street Journal: "I had a bunch of ideas from the beginning, back on VII, of where the story would go. I just never in my wildest dreams thought I would have a chance to execute them". [44] The creative team met with Lucas, [45] Johnson and Kasdan before writing the script; [46] According to Abrams, Lucas explained many of his own ideas about the Force and the midi-chlorians. [47] Terrio also spent some time doing extensive research into the Expanded Universe and recent Star Wars animation; [48] He was influenced by many of those stories in writing the film, comparing the process to writing non-fiction: "When we would make a story decision, we were fully aware that this now will become canon, and so are we sure that this is the right story decision? Are we sure about it character-wise? Are we sure about it thematically? Does it seem like it gels with George's original intentions from Episode IV? Does it gel with what we learned in the prequels and what we learned in the sequel trilogy? " [49] He thought of the core characters as analogous to children of revolutionaries who fought in the War of 1812. [50] Abrams and Terrio were determined to make a film that would conclude the Skywalker saga and tie together the previous eight chapters. [45] [51] The pair began the process by writing ideas on a series of dry erase boards at Bad Robot, and then transferring them to a Microsoft Word document. [52] They would also meet in coffee shops to discuss the script, at which they would use code names to refer to the characters. [53] During the process, they collaborated on ideas with Kennedy, Michelle Rejwan, Rick Carter, Roger Guyett, Kevin Jenkins, Michael Kaplan and Neal Scanlan. [49] Kennedy and Rejwan gave them certain narrative beats that had to be hit. [54] Kennedy described the process to Gizmodo: "Nobody was being overly polite. If you didn't think something made sense. If you couldn't follow it, if you thought, from a fan's point of view, that you're stepping outside the lines and it was a bogus kind of thinking, no one was afraid to say that because we knew how important this was to get right. And we didn't let things go. " [38] Abrams also described it as “this crazy challenge that could have been a wildly uncomfortable contortion of ideas and shoving in of answers and Band-Aids and bridges... I feel like we've gotten to a place–without jinxing anything–where we might have something incredibly special. ” [43] The writers revisited some of the ideas Abrams and Kasdan had had for The Force Awakens, [55] and also used some ideas that were present in Trevorrow's script. [27] Certain aspects of the story changed significantly during pre-production, [56] and the film had frequent dialogue changes from day to day. [57] [37] Producer Kathleen Kennedy claimed that Palpatine's return was planned from the beginning, [58] although Trevorrow believed it was a new idea by Abrams. [27] According to Terrio, he and Abrams didn't use anything from Trevorrow's script, although "There may have been certain elements that we used that had been in the original script and we weren't aware of it. The Guild makes the determination about those things. " [59] Regardless, Trevorrow and his frequent writing partner Derek Connolly received story credits in the final film. [4] In regards to The Last Jedi ' s influence on the film, Abrams told Esquire: "As a filmmaker, working on episode IX, amazingly, nothing that he [Rian Johnson] did in Last Jedi got in the way of things that we had talked about wanting to do down the line, ideas that I had about where things might go, so... it wasn't like his story somehow derailed the things I wanted to pursue. In fact, strangely, they might have even helped strengthen them because we got to make some choices that sort of take advantage of the fact that Rian hadn't done the things that we were thinking about doing. " [60] Lucasfilm dispelled rumors that it would digitally recreate Fisher in future films. [61] Fisher's brother Todd said that he and Billie Lourd had granted Lucasfilm rights to use footage of her. [62] Kennedy initially claimed that Ms. Fisher would not appear in the film, [63] though Abrams later confirmed that Ms. Fisher will appear in the film via unused footage from The Force Awakens. [5] Mr. Fisher credited this decision to Abrams, [64] who said "It was like finding this impossible answer to this impossible question". [65] According to Mr. Fisher: "There's a lot of minutes of footage. I don't mean just outtakes. This is unused, new content that could be woven into the storyline. That's what's going to give everybody such a great kick. It's going to look like it was meant to be. Like it was shot yesterday”. [66] He also claimed that unused footage from The Last Jedi would also be used, [67] but Abrams later clarified that no footage from that film was used due to nothing substantial being available. [68] Ultimately, ILM placed Fisher's facial performance onto a digital body, with an on-set stand-in serving as a visual reference for the actors. This allowed the character to be placed in new locations, and for the effects artists to give her different clothes and a new hairstyle that would be unique to The Rise of Skywalker. [69] Production Edit " We went into this movie very much in the mindset that this has to be conclusive. It has to. You have to get some answers. You have to learn some things. Abrams [src] Daisy Ridley, John Boyega, and Oscar Isaac on the set of the film, having completed filming Principal photography began at Pinewood Studios on August 1, 2018, [5] [70] under the working title of "trlXie" (originally "Black Diamond"). [71] [72] Production also took place in Wadi Rum, Jordan (the same filming location for Jedha in Rogue One: A Star Wars Story) for three weeks. [73] Some sequences were filmed with 65mm film and IMAX cameras. [74] [75] Because the film was under a shortened production timeline, the crew had to shoot everything they needed during principal photography, [76] and Maryann Brandon began editing on set. [77] Abrams felt less creatively constrained in making The Rise of Skywalker than he did with The Force Awakens, [78] citing Rian Johnson's work on The Last Jedi as the inspiration: [79] "Rian helped remind me that that's why we're on these movies–not to just do something that you've seen before. " [80] According to Poe Dameron actor Oscar Isaac, the shooting of The Rise of Skywalker allowed for more improvisation than The Force Awakens or The Last Jedi; "It's a testament to J. coming back and feeling confident. There's less pressure for it to be right. We just want to make a good movie and have a really good time while doing it. " [81] Abrams shot many of the character interactions in long takes, with actors sometimes coming up with their own lines. [82] Daisy Ridley also commented: "There was this thing: JJ would ask us to do the scene without speaking, just to feel the emotional... whatever. He was like, 'You never know what could come up. ' We did that a couple of times. Then it became a joke, because we would just wet ourselves laughing. " [83] Prior to shooting, members of the cast were trained in various specialties to prepare for the shoot, such as kickboxing, [84] horseback riding, using a bow-and-arrow and holding a gun. [85] [86] Ridley performed the majority of her character's stunts herself. [87] Filmmaker Kevin Smith visited the set (just as he did for The Force Awakens) and described what he saw: "Biggest set I've ever seen in my life. The dude's not directing a movie, it's like he's directing a small country. " [88] The script was under even greater security than those of previous films, with actors not allowed to take copies home; [89] [90] [91] Despite this, a copy was put up for sale on eBay, after Finn actor John Boyega accidentally left it under his bed and it was found by a cleaning person. However, Lucasfilm was warned about it and recovered the script before someone could buy it. [92] [93] By December 11, 2018, Hamill had worked for "about a week" on the film, but had yet to shoot most of his scenes, which he expected to do alongside his work on the TV series Knightfall. [90] Filming wrapped on February 15, 2019. [94] Reshoots reportedly took place between late September and mid- October at Bad Robot Productions. [95] Post-production Edit John Williams had begun work on the musical score by May 2019, [96] and was scheduled to begin recording in June. [97] Recording took a total of 11 days from July through November of 2019. [98] Williams said that it will most likely be his final Star Wars project. [7] The film was the first project for a new ILM division in Sydney, Australia. [99] The Luke/Leia flashback scene was created by using the facial likenes of the characters from The Empire Strikes back and Return of the Jedi, with Billy Lourd acting as a stand-in for Leia. [100] Abrams told Entertainment Weekly that the film had significantly less post-production time than normal, and that it was "literally a practical race to get it finished. ” However, he felt more confident about The Rise of Skywalker than he had The Force Awakens. [84] The editing of The Rise of Skywalker was finished on November 24, 2019. [101] Taken as a whole, Abrams described the film as "the most challenging" project he'd ever been involved with. [102] [103] Release Edit " The beauty of working with Chris Terrio and producing with Kathleen Kennedy is that I think we have found a way — I hope, it's up for you to decide — to bring this story to a conclusion in a way that feels satisfying, surprising, amusing, shocking, all the ways that a story should make you feel. " The film was originally scheduled for release on May 24, 2019, [104] but was later pushed back to December 20, [8] giving the May 24 date to the live-action remake of Aladdin. [105] Footage was first publicly screened at Disney's March 8 investor's conference, [106] and briefly at CinemaCon 2019 as part of a montage of upcoming Disney films. [107] The film was featured in a panel at Celebration Chicago, featuring director/co-writer J. Abrams and producer Kathleen Kennedy. [108] The teaser trailer debuted at this event, [109] which also revealed the film's title and teaser poster. [110] During the convention, Abrams, Kennedy, and members of the cast were interviewed for Good Morning America. [46] [111] The film was featured in the May issue of Vanity Fair, [78] the November issues of Empire, [112] Entertainment Weekly and Rolling Stone, [84] [113] [103] the December issue of People, [114] and the January 2020 issue of Empire. [115] A panel was held at the 2019 D23 Expo, featuring cast and crew, with the reveal of a new teaser poster and two show casings of footage; [116] [117] The latter of the two was later released online and aired on television. [118] The cast and crew made a number of television appearances to promote the film, including Good Morning America, [92] [119] [120] [121] [122] The Late Show With Stephen Colbert, [123] The Tonight Show Starring Jimmy Fallon, [124] [125] Live with Kelly and Ryan, [126] [127] Late Night with Seth Meyers, [128] and Jimmy Kimmel Live!. [129] The cast and crew participated in a livestream Q&A on December 2, [130] a press conference on December 4. [131] [132] Brazil's Comic Con Experience on December 7, [133] and the film's Japan premiere on December 11. [134] On December 12, released an exclusive behind-the-scenes video. [135] Tickets went on sale October 21, [136] followed by the release of the final trailer on Monday Night Football and the theatrical poster. [137] [138] Lucasfilm collaborated with Porsche on a new Star Wars spaceship design that was built for the film's premiere, [139] named the Tri-Wing S-91x Pegasus Starfighter. [140] Beginning on December 18, AMC Theaters held a 27+ hour marathon of Episodes I through VIII, leading up to Episode IX. [141] Adam Driver, Greg Grunberg and Mark Hamill each held Omaze fundraisers for which winners could attend the film's U. S. premier, [142] [143] [144] which was held on December 16. [145] As happened with The Force Awakens, [146] a dying fan was given a screening of the film, with Bob Iger himself confirming it on Twitter. [147] Merchandising Edit In November 2018, Lucasfilm debuted the animated shorts Star Wars Galaxy of Adventures as an introduction to the saga for children, beginning a year-long lead-up to the film. [148] In December 2018, Topps began a year-long campaign, dubbed "Star Wars Galactic Moments: Countdown to Episode IX, " in which three cards are released each week leading up to the release of the film. [149] Sith trooper merchandise debuted in stores on September 1, 2019, [150] while the film's main merchandise push began on October 4, 2019, known as Triple Force Friday. Aside from The Rise of Skywalker, the event debuted merchandise for the TV series The Mandalorian and the video game Star Wars Jedi: Fallen Order. [151] Lucasfilm partnered with eight product brands to promote the film: Bose, Dannon, General Electric, General Mills, Porsche, Samsung, McDonald's and United Airlines [152] —with each ad campaign beginning on November 1. [153] Like with The Force Awakens and The Last Jedi, the months leading up to the debut of The Rise of Skywalker saw the release of tie-in novels, short stories, comics, reference books, and activity books known collectively as Journey to Star Wars: The Rise of Skywalker. (Additional books will be released throughout 2020, including the novel, junior novel and graphic novel adaptations of the film and the "Art of" book. ) [154] Star Tours: The Adventures Continue introduced The Rise of Skywalker -themed content. [155] Funko released an animated short inspired by the film. [156] [157] Lucasfilm hosted Star Wars Nights at NBA games in December 2019 and January 2020. [158] Several Disney-owned video games were updated with content from the film: Disney Emoji Blitz, Disney Magic Kingdoms, Star Wars: Commander, Star Wars: Galaxy of Heroes, [159] and Star Wars Battlefront II. [160] Beginning on December 12, Fortnite rolled out a series of The Rise of Skywalker skins and emotes, [161] and on December 14 previewed a scene from the film in an in-game event. [162] [163] (The event concluded with exclusive Palpatine dialogue that has been interpreted as the transmission mentioned in the film's opening crawl. [164]) Roblox also featured tie-in elements with the film. [165] The 2020 video game LEGO Star Wars: The Skywalker Saga will include levels from the film. Home video Edit The film will be released digitally on March 17, including digital HD and 4K Ultra HD on Movies Anywhere [166] [167] and Disney+ [ source? ]. Physical releases will follow on March 31, including a Multiscreen Edition (Blu Ray and Digital Code), an Ultimate Collector's Edition (4K, Blu Ray and Digital Code) and a DVD edition. Best Buy, Target and Wal Mart will offer exclusive versions of the sets, as well as a 27-disc "Skywalker Saga" set (4K, Blu Ray, Digital Code) exclusive to Best Buy. Special features include: The Skywalker Legacy – The story lives forever in this feature-length documentary that charts the making of Star Wars: The Rise of Skywalker. Pasaana Pursuit: Creating the Speeder Chase – Dive into the making of the movie's epic landspeeder chase and discover how this spectacular sequence was brought to the screen. Aliens in the Desert – See what it took to create the Pasaana desert scenes, from the sheer scale and complexity of the shoot to its colorful details. D-O: Key to the Past – Explore the ship that connects Rey to the mystery of her missing parents and get to know the galaxy's newest, irresistible droid. Warwick & Son – Warwick Davis, who played Wicket in Star Wars: Return of the Jedi, dons the Ewok costume once more; this time joined by his son Harrison. Cast of Creatures – The team behind the film's memorable creatures reveal the puppetry, makeup, prosthetics and digital magic that bring them to life! The Maestro's Finale – Composer John Williams reflects on his body of work for the Star Wars saga and shares insights on scoring Star Wars: The Rise of Skywalker (Digital Exclusive). Reception Edit Box office Edit A Fandango poll ranked the film as the third most anticipated movie of 2019, behind the Marvel Cinematic Universe films Avengers: Endgame and Captain Marvel. [168] In November 2019, the film was tracking for an opening box office of between $175 and $205 million. [169] [170] [171] It opened to $177 million domestic and $376 worldwide box office. [172] Notably, it performed poorly in China, continuing a downward trend from The Force Awakens. [9] To date, the film has made $1. 073 billion worldwide. [173] Critical response Edit The film received mixed reviews from critics, who praised the acting, but criticized the story and pacing. On the review aggregator Rotten Tomatoes, The Rise of Skywalker currently holds an approval rating of 52% based on 472 critics, with an average rating of 6. 17/10. The critics consensus reads: " Star Wars: The Rise of Skywalker suffers from a frustrating lack of imagination, but concludes this beloved saga with fan-focused devotion. " [174] At Metacritic, the film has a weighted average of 53 out of 100 based on sixty critics, indicating "mixed or average reviews. " [175] Audiences polled at random by CinemaScore gave the film an "B+" grade on average, on an "A+" to "F" scale. By comparison, The Force Awakens and The Last Jedi were both given an "A, " and each of the prequel trilogy films were given an "A-. " [176] Verified audience reviews on Rotten Tomatoes currently have an average rating of 4. 31 out of 5, with an approval rating of 86%. [174] Conversely, user-generated reviews at Metacritic hold an average score of 4. 9 out of 10. [175] The Rise of Skywalker received three nominations at the 92nd Academy Awards: Best Original Score, Best Sound Editing, and Best Visual Effects. [177] Continuity Edit In the LEGO Star Wars: Droid Tales episode " Exit from Endor ", R2-D2 has a backup of C-3PO 's memories, which causes his eyes to glow when installed. [178] Media Edit Poster gallery Edit Cover gallery Edit Credits Edit Appearances Edit This list is incomplete. You can help Wookieepedia by expanding it. Bibliography Edit Notes and references Edit External links Edit Star Wars: Episode IX The Rise of Skywalker Books Novel · Junior novel · Graphic novel · Shakespeare Comics The Rise of Skywalker Adaptation: 1 · 2 · 3 · 4 · 5 Behind the scenes The Art of Guide and reference books Official Movie Special · The Official Collector's Edition · The Galactic Guide · The Visual Dictionary Activity books Amazing Sticker Adventures · The Galaxy Needs You · Search & Find · Magnetic Playset Other material and merchandise Journey to · Triple Force Friday · Toyline · Soundtrack [edit] Star Wars saga I: The Phantom Menace · II: Attack of the Clones · III: Revenge of the Sith IV: A New Hope · V: The Empire Strikes Back · VI: Return of the Jedi VII: The Force Awakens · VIII: The Last Jedi · IX: The Rise of Skywalker Anthology Series Rogue One · Solo Untitled film series Untitled film (2022) Spin-off films Canon: The Clone Wars · Untitled trilogy · Untitled film (2024) · Untitled film (2026) · Untitled film Legends: Holiday Special · Caravan of Courage · The Battle for Endor Television series Canon: The Clone Wars · Rebels · Forces of Destiny · Resistance · Galaxy of Adventures The Mandalorian · Cassian Andor series · Obi-Wan Kenobi series Legends: Droids · Ewoks · Clone Wars Other media Audio dramas · Books · Comics · Multimedia projects · Parodies Roleplaying games · Theme park attractions · Video games Community content is available under CC-BY-SA unless otherwise noted. 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JJ was trying not to spoil anything the entire time. I still hate the fact that Palpatines return took place off screen. The main focus of the movie came out of nowhere. Tony: I am Iron Man Rey: and I am all the Jedi. Star wars: episode ix - the rise of skywalker watch free stream. I loved the movie, jj abrams gave the respect that all the old characters and the original story deserved. It feels that it was done by somebody who really loves Star Wars. He also presented the new gang as imperfect as they might be. Ben and Rey were absolutely amazing. I wouldn't add or take out anything from it. I loved all the bits and pieces that he used referencing the original movies. The respect for Carrie Fisher by only using original footage is heart warming.

Nominated for 3 Oscars. Another 6 wins & 33 nominations. See more awards » Learn more More Like This Action | Adventure Drama 1 2 4 5 6 7 8 9 10 8. 5 / 10 X After the devastating events of Avengers: Infinity War (2018), the universe is in ruins. With the help of remaining allies, the Avengers assemble once more in order to reverse Thanos' actions and restore balance to the universe. Directors: Anthony Russo, Joe Russo Stars: Robert Downey Jr., Chris Evans, Mark Ruffalo Fantasy 7 / 10 Rey develops her newly discovered abilities with the guidance of Luke Skywalker, who is unsettled by the strength of her powers. Meanwhile, the Resistance prepares for battle with the First Order. Director: Rian Johnson Daisy Ridley, John Boyega, Mark Hamill Crime Thriller 8. 6 / 10 In Gotham City, mentally troubled comedian Arthur Fleck is disregarded and mistreated by society. He then embarks on a downward spiral of revolution and bloody crime. This path brings him face-to-face with his alter-ego: the Joker. Todd Phillips Joaquin Phoenix, Robert De Niro, Zazie Beetz Comedy 7. 7 / 10 A faded television actor and his stunt double strive to achieve fame and success in the film industry during the final years of Hollywood's Golden Age in 1969 Los Angeles. Quentin Tarantino Leonardo DiCaprio, Brad Pitt, Margot Robbie Sci-Fi 7. 9 / 10 Three decades after the Empire's defeat, a new threat arises in the militant First Order. Defected stormtrooper Finn and the scavenger Rey are caught up in the Resistance's search for the missing Luke Skywalker. J. J. Abrams Oscar Isaac Biography Martin Scorsese Al Pacino, Joe Pesci Animation 6. 9 / 10 After the murder of his father, a young lion prince flees his kingdom only to learn the true meaning of responsibility and bravery. Jon Favreau Donald Glover, Beyoncé, Seth Rogen 6. 3 / 10 An augmented human and Sarah Connor must stop an advanced liquid Terminator, from hunting down a young girl, whose fate is critical to the human race. Tim Miller Linda Hamilton, Arnold Schwarzenegger, Mackenzie Davis 7. 8 / 10 The daughter of an Imperial scientist joins the Rebel Alliance in a risky move to steal the Death Star plans. Gareth Edwards Felicity Jones, Diego Luna, Alan Tudyk When a new toy called "Forky" joins Woody and the gang, a road trip alongside old and new friends reveals how big the world can be for a toy. Josh Cooley Tom Hanks, Tim Allen, Annie Potts Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a Wookiee and two droids to save the galaxy from the Empire's world-destroying battle station, while also attempting to rescue Princess Leia from the mysterious Darth Vader. George Lucas Mark Hamill, Harrison Ford, Carrie Fisher 8. 7 / 10 After the Rebels are brutally overpowered by the Empire on the ice planet Hoth, Luke Skywalker begins Jedi training with Yoda, while his friends are pursued by Darth Vader and a bounty hunter named Boba Fett all over the galaxy. Irvin Kershner Edit Storyline While the First Order continues to ravage the galaxy, Rey finalizes her training as a Jedi. But danger suddenly rises from the ashes as the evil Emperor Palpatine mysteriously returns from the dead. While working with Finn and Poe Dameron to fulfill a new mission, Rey will not only face Kylo Ren once more, but she will also finally discover the truth about her parents as well as a deadly secret that could determine her future and the fate of the ultimate final showdown that is to come. Written by Blazer346 Plot Summary Add Synopsis Taglines: Every Generation Has A Legend. See more » Details Release Date: 20 December 2019 (USA) Also Known As: Star Wars: Episode IX Box Office Budget: $200, 000, 000 (estimated) Opening Weekend USA: $177, 383, 864, 22 December 2019 Cumulative Worldwide Gross: $1, 073, 458, 093 See more on IMDbPro » Company Credits Technical Specs See full technical specs » Did You Know? Trivia In the first teaser trailer, the remains of a Death Star can be seen submerged in water. This idea was originally considered for use in Star Wars: Episode VII - The Force Awakens (2015), and was even featured as concept art in the book "The Art of Star Wars: The Force Awakens". See more » Goofs Poe miraculously spots Janna and Finn clinging to the side of the enormous command ship, and starts to go rescue them, but they would not have fit in his plane even if he had gotten there. See more » Quotes [ first lines] Emperor Palpatine: At last. Snoke trained you well. Kylo Ren: I killed Snoke. I'll kill you. My boy, I made Snoke. I have been every voice... Snoke:. have ever heard.. Darth Vader:.. your head. The First Order was just the beginning. I will give you so much more. You'll die first. I've died before. The dark side of the Force is a pathway to many abilities some consider to be... unnatural. What could you give me? [... ] Soundtracks Oma's Place Written, Produced, and Performed by Ricky Tinez and J. Abrams See more » Frequently Asked Questions See more ».

I have been waiting for a sequel since Revenge of the Sith but this. What kind of imagination does have those who are behind of this sequel? In order to keep the society on their side they tried to create new gen characters but where did this lead the entire saga to? If anyone would ask me my opinion I would immediately tell them that these movies should be dismissed from the saga and new movies should be made. Certainly Disney go and make something to replace these movies...

Thank you so much for spending the time to do this. And - You're not crying, I'm crying. Star wars: episode ix - the rise of skywalker watch free online. There’s been plenty of speculation about the future of the Star Wars franchise since 2017’s Star Wars: Episode VIII — The Last Jedi hit theaters, and now the premiere of Star Wars: Episode IX – The Rise of Skywalker is here The final, full-length trailer for The Rise of Skywalker offered some intriguing hints as to how the Skywalker saga will conclude, including a brief scene from an epic space battle featuring more than a few iconic ships, and now that we’ve seen it, we’ve got our own opinions that don’t necessarily follow the critics’ consensus. The Rise of Skywalker brings back director J. J. Abrams to close out this arc of the iconic sci-fi saga after he helmed 2015’s franchise-relaunching Star Wars: Episode VII — The Force Awakens. While Star Wars: Episode IX is now available for your viewing pleasure, if you’ve yet to see the film, here’s everything to know ahead of the action. Jedi mind tricks In a special event hosted in the game Fortnite, Disney released another clip from the upcoming film. This time, we see Rey, Finn, and Poe land on an Imperial space station (which looks strangely familiar to previous films’ Death Star scenes) and instantly take out a few Stormtroopers. They run into a corridor where they’re stopped by two more Stormtroopers and look to be done for. However, Rey raises a hand and pulls a classic page from Obi-Wan Kenobi’s book, telling the Stormtroopers, “It’s okay that we’re here. ” They agree, after which Poe asks Finn, “Does she do that to us? ” It’s a little comic relief following a potentially significant reveal: That Rey has fully embraced and mastered the Jedi ability to control minds. A telling new clip A clip from Episode IX released a week before Rise of Skywalker hit theaters features the voice of James Earl Jones, who famously voiced Darth Vader in the original Star Wars trilogy. Emperor Palpatine’s voice joins that of Vader, as are the voices of Supreme Leader Snoke, taunting Kylo Ren. “I have been every voice you have ever heard inside your head, ” the Sith voices hiss at Kylo, implying that Palpatine’s powers may have conquered death long enough to pull the strings for the rise of the First Order. Of course, without additional context, it’s impossible to say definitively what’s going on here and that, naturally, is the point of the teaser. At the very least, the clip shows that The Rise of Skywalker makes a concerted effort to tie together all three trilogies to bring the Star Wars saga to a close. They can fly now Disney released a clip from T he Rise of Skywalker on November 25 featuring Rey, Finn, Poe, and a few more familiar characters racing across a desert while being pursued by stormtroopers. They weren’t your usual First Order troops, however, as the stormtroopers took to the sky using jetpacks in the 30-second clip, prompting some surprise from the hero characters. Yes, they can fly now. Final trailer and ticket sales The final trailer for Star Wars: The Rise of Skywalker (see above) premiered — much like past trailers for the episodic installments of the franchise — during a broadcast of the NFL’s Monday Night Football on October 21. Tickets for The Rise of Skywalker officially went on sale just before the trailer’s debut. Hello, Babu As part of Lucasfilm’s annual “Force Friday” campaign, the studio revealed a new character who debuted in The Rise of Skywalker: Babu Frik. The character’s official description (via) reads as follows: “The tiny Anzellan droidsmith … works among the Spice Runners of Kijimi and can reprogram or modify virtually any droid — regardless of the security measures protecting its systems. ” Welcome to the Star Wars universe, Babu. D23 preview: The last Jedi goes dark? Disney gave Star Wars fans an early look at some new footage from The Rise of Skywalker during the company’s D23 Expo in August, and the preview generated quite a bit of discussion due to its closing scene: A shot of Rey (Daisy Ridley) in a dark cloak, wielding a double-bladed, red lightsaber similar to the one Darth Maul used in The Phantom Menace. Along with that cryptic tease, the video also featured one of the repurposed scenes from the prior films that feature the late Carrie Fisher as Leia, as well as a few other notable moments. A foreboding poster Revealed at Disney’s surprisingly packed D23 Expo event in Anaheim, California, the poster for the film is a daringly imaginative battle scene between our hero Rey (Daisy Ridley) and a fully masked Kylo Ren (Adam Driver). The previously rumored return of Emperor Palpatine (Ian McDiarmid) is front and center as he looks on at the fight from the skies above with demonic eyes. A tight schedule The film’s late change in directors (by Star Wars standards, at least) was keenly felt by the production team, and prompted some creative maintenance of the filming schedule, according to Rise of Skywalker editor Maryann Brandon. In an interview with Express U. K., the longtime collaborator with Abrams revealed that the tight production schedule for the film had her take the unusual step of cutting footage on set, while they were still filming. “When we did The Force Awakens, we started in May and we finished shooting in October, and we were out [the following] Christmas, ” she explained. “For this film, we didn’t start until August, so we weren’t done until February shooting — so we have four months less time, and it’s a very big film. ” “So I convinced JJ to let me cut on the set, ” she said. “He was like, ‘No, we never do that. ’ I [said], ‘Just try it, so I can start turning over shots. '” The result was a situation in which Brandon was rarely more than 10 feet from Abrams at any given point during the filming of Rise of Skywalker, editing the movie as it was being filmed. “So if the camera would move 10 feet, I would move 10 feet, ” she recalled. “I was everywhere. ” More details (and photos) emerge In May, Vanity Fair published an in-depth preview of Rise of Skywalker featuring some of the first looks at the characters — both new and returning — that appear in the trilogy-ending chapter of the saga. Among the biggest revelations from the preview include the return of the Knights of Ren, and the confirmation of Keri Russell’s character in the film, a “masked scoundrel” known as Zorri Bliss. V. F. can exclusively confirm that the mysterious Knights of Ren—first seen in #StarWars: The Force Awakens—are back in #TheRiseofSkywalker — VANITY FAIR (@VanityFair) May 22, 2019 A photo also revealed the first look at Naomi Ackie as Jannah, who joins Finn (John Boyega) in one of the photos, riding into battle on creatures known Orbaks. Here’s what we can tell you about #TheRiseofSkywalker: when the film picks up—about a year after the end of The Last Jedi—Rey, Finn, and Poe are all finally in the same place for the first time since The Force Awakens Franchise newcomer Richard E. Grant is also seen in the photos as the First Order’s Allegiant General Pryde. New villain alert! Richard E. Grant joins #StarWars as Allegiant General Pryde The full gallery of photos is available at Vanity Fair’s website. The first look The first trailer for The Rise of Skywalker dropped in front of a packed crowd at Star Wars Celebration in Chicago, and it revealed much more than just the film’s title. The trailer would be viewed more than 111 million times within the first 24 hours it was available, according to Deadline, receiving 20 million more views than the trailer for Episode VIII — The Last Jedi did during the same period of time. As far as what the trailer revealed, Mark Hamill provided the preview’s evocative voice-over, while footage of Carrie Fisher as General Leia Organa — which was originally filmed for The Force Awakens — tugged at fans’ heartstrings. Billy Dee Williams as the elder Lando Calrissian looked as dapper as ever sitting in the Millennium Falcon’s cockpit. More Star Wars News The future of Star Wars: All the known movies and TV series coming your way Comic-Con 2018 highlights: From Star Trek spinoffs to a Star Wars revival Here’s how to watch all of the Star Wars films and series online The trailer’s biggest surprise came at the very end, however, when a maniacal laugh took over the soundtrack. That cackle belongs to none other than former Emperor Palpatine, who (supposedly) died at the end of Star Wars: Episode VI — Return of the Jedi. Just in case there was any confusion, Palpatine actor Ian McDiarmid took the Star Wars Celebration stage after the trailer finished playing and, in character, growled, “Roll it again. ” Otherwise, the Star Wars Celebration Episode IX panel was light on details, although Lucasfilm President Kathleen Kennedy let the assembled cast members share a few small tidbits. Naomi Ackie’s new character is named Jannah. The Rise of Skywalker brings the sequel trilogy characters together for a single adventure, and BB-8 has a new droid pal named DIO, who is just as cute as you would imagine. A leaked peek? Just a couple of weeks before Star Wars Celebration Chicago alleged promotional materials for the film leaked on Making Star Wars. The images, which include a collage and character sheets, confirm a number of long-standing rumors and offer fans a glimpse of some of Star Wars: Episode IX ‘s new characters. Rey takes center stage on the “leaked” image, dressed in an outfit that recalls both Luke Skywalker’s all-white get-up in Star Wars: Episode IV — A New Hope and Padme’s costume during Attack of the Clones’ final battle scene. Poe Dameron is wearing full-on Resistance fighter garb, Finn holds a blaster, and C-3PO wields a Wookiee bowcaster, just like previous reports said he would. Kelly Marie Tran’s Rose Tico, who first appeared in Star Wars: The Last Jedi, is conspicuously absent. On the villains’ side, Kylo Ren seems to have reforged his mask and is flanked by a group of similarly clad soldiers who are most likely the mysterious Knights of Ren. Kylo’s long-rumored legion of red Stormtroopers also appears as does a masked woman who the character sheets call “Zorri, ” and who matches previous descriptions of the new character played by The Americans’ Keri Russell. The character sheets correctly identify Naomi Ackie’s bow-wielding character as Jannah and offer a very blurry glimpse at Billy Dee Williams as Lando Calrissian, whose fashion sense doesn’t seem to have changed much over the past 40 years. The end of an era On January 15, 2019, Abrams shared some momentous news on Twitter: Principal photography on Star Wars: Episode IX has wrapped after a six-month shoot, marking the end of filming on both Disney’s sequel trilogy and the Skywalker family saga as a whole. “It feels impossible, but today wrapped photography on Episode IX, ” Abrams wrote alongside a photo of stars Daisy Ridley, John Boyega, and Oscar Issac embracing on set. “There is no adequate way to thank this truly magical crew and cast. I’m forever indebted to you all. ” It feels impossible, but today wrapped photography on Episode IX. There is no adequate way to thank this truly magical crew and cast. I’m forever indebted to you all. — JJ Abrams (@jjabrams) February 15, 2019 Abrams wasn’t the only one who felt that way. Boyega posted the same photo on his social media feed, along with a heartfelt message. “That’s a wrap on Star Wars episode 9 and the end to a chapter of my life that I couldn’t be more thankful for, ” Boyega said. “It really has been a joy to be in these movies surrounded by amazing people. JJ thank you for making my dreams come true. ” Cosmic cameos The Star Wars saga has a long history of bringing in famous actors, musicians, and other familiar faces for small parts — often under heavy makeup or costumes — as a nod to some of the franchise’s most high-profile fans. Star Wars: Celebrity Chef Jamie Oliver Lands Episode IX Cameo — Comic Book Resources (@CBR) December 26, 2018 According to The Sun, celebrity chef Jamie Oliver suited up as a First Order stormtrooper for Episode IX. Oliver, who hosted the popular BBC series The Naked Chef for its three-season run, was offered the part after gaining attention for his Star Wars fandom over the years. Oliver joins award-winning musician Ed Sheeran, who will also have a cameo in Episode IX, with both men playing First Order stormtroopers in the film. One year later Given how little time elapsed between the events of Star Wars: Episode VII — The Force Awakens and Episode VIII — The Last Jedi, it comes as a bit of a surprise that Episode IX jumps ahead in the timeline a bit for its story. Speaking to Empire Magazine about the film, actor John Boyega — who portrayed former First Order stormtrooper Finn in The Force Awakens and The Last Jedi — indicated that Episode IX will pick up “roughly one year” after the events of its 2017 predecessor. At Star Wars Celebration 2019, panelists confirmed that there would be a sizable time jump between The Last Jedi and The Rise of Skywalker. John Boyega has confirmed that Star Wars: Episode #IX takes place ONE YEAR after the events of 'The Last Jedi'. [Empire Issue] — Star Wars Stuff (@starwarstuff) December 22, 2018 Rumor patrol: Knights of Ren As with any Star Wars movie, there’s no shortage of rumors circling Episode IX, and a few have sparked quite a bit of discussion in mainstream circles. The mysterious Knights of Ren were also the subject of a popular rumor making the rounds, with reporting that a person present at a Disney marketing event confirmed that the shadowy group seen in Episode VII — The Force Awakens and led by Kylo Ren will indeed be in Episode IX. “They will definitely be in the next movie, ” writes the unidentified source. “They did show numerous pictures/artwork of them. ” The Doctor is in One of cinema’s most popular sci-fi franchises will draw from the ranks of one of television’s longest-running sci-fi sagas. In late August 2018, former Doctor Who star Matt Smith (pictured above) was reported to be the latest casting addition to Episode IX. Smith, who played the 11th Doctor in the wildly popular British sci-fi series and recently earned a Primetime Emmy Award nomination for his performance in the Netflix series The Crown, will play an unidentified “key role” in the Star Wars sequel, according to Variety. A bittersweet beginning Abrams commemorated the August 1 start of production on Episode IX with his first post on Twitter, which acknowledged the absence of franchise veteran Carrie Fisher on the set and thanked Episode VIII director Rian Johnson and Star Wars creator George Lucas for getting the saga to this point. Bittersweet starting this next chapter without Carrie, but thanks to an extraordinary cast and crew, we are ready to go. Grateful for @rianjohnson and special thanks to George Lucas for creating this incredible world and beginning a story of which we are lucky to be a part. #IX — JJ Abrams (@jjabrams) August 1, 2018 Official cast On July 27, Lucasfilm’s official Star Wars page listed the major cast list, including the big names returning and those joining anew the latest film in the franchise. And yes, that means Billy Dee Williams officially returns as the iconic Lando Calrissian, as does Mark Hamill which, for reasons we won’t specify here, may come as a surprise to some. Follow below for the official cast list: Officially returning for Episode IX are Daisy Ridley, Adam Driver, John Boyega, Oscar Isaac, Lupita Nyong’o, Domhnall Gleeson, Kelly Marie Tran, Joonas Suotamo, and Billie Lourd. Joining the cast for their first Star Wars experience are Naomi Ackie (Dr. Who), Richard E. Grant, and Keri Russell. In addition, veteran Star Wars actors returning include Williams (as promised), Hamill (Luke Skywalker), and Anthony Daniels (C-3PO). Mark Hamill at San Diego Comic-Con 2015 Gage Skidmore/Flickr But those aren’t the only familiar faces coming back. The announcement states that the late Carrie Fisher’s character, Leia Organa, also returns for the film “using previously unreleased footage shot for Star Wars: The Force Awakens. ” This may come as a surprise to some following news that no CG version of Fisher’s character would be used for Episode IX (seemingly implying Leia would not return). However, Episode IX director J. Abrams made a statement to alleviate concerns. “We desperately loved Carrie Fisher, ” Abrams said. “Finding a truly satisfying conclusion to the Skywalker saga without her eluded us. We were never going to recast, or use a CG character. With the support and blessing from her daughter, Billie, we have found a way to honor Carrie’s legacy and role as Leia in Episode IX by using unseen footage we shot together in Episode VII. ” A tricky new title Star Wars films are notorious for using working titles to throw off the public and keep production costs low in terms of locations and services. Episode VI — Return of the Jedi was shot under the guise of a horror movie called Blue Harvest. Meanwhile, Episode II — Attack of the Clones poked fun at the negative response to prequel trilogy’s Gungan leader with the title Jar-Jar’s Big Adventure. Sometimes the production title can offer clues, though they may not make sense until after the film is released. Fantha Tracks has reported that the working title for Episode IX was trIXie. The site claimed that “the same research methods and public sources were used by the same team to uncover the production names of every Disney-era Star Wars film to date. ” The Force Awakens was shot under the title AVCO, which Bleeding Cool reported was the name of the theater in Los Alamos where a young J. Abrams saw the first Star Wars film. So what does trIXie refer to, if anything? It appears to simply be a way to get the roman numeral for the number 9 in the title. Reunion time Following in the footsteps of the Star Wars trilogies that came before it, the current three-part story arc had its main characters separating in Episode VIII — The Last Jedi, the middle chapter of the saga (much like the characters did in Episode II — Attack of the Clones and Episode V — The Empire Strikes Back). As with those previous trilogies, though, the cast reunited for one big team-up for the concluding installment. Disney Asked about Episode IX during a convention in Washington, D. C. in 2018, Boyega said he expects the film to bring together his character, Finn, with Daisy Ridley’s character, Rey. The pair have been separated since the events of Episode VII — The Force Awakens, but that period apart is nearing its end. “I haven’t read the script for Episode IX, ” he said (via SlashFilm). “But Daisy did shoot me a text saying, ‘Oh my gosh, I just heard from J. [Abrams], and we’re back together. ’ That’s what I’m really excited about, is Finn and Rey back together again. ” Different endings, same result? While discussing the differences in working with Star Wars directors J. Abrams and Rian Johnson, Hamill revealed how the creator of the sci-fi saga, Lucas, planned to handle the later years of his iconic character, Luke Skywalker. “I happen to know that George didn’t kill Luke until the end of [ Episode] IX, after he trained Leia, ” Hamill told IGN. “Which is another thread that was never played upon [in The Last Jedi]. ” Although most of Lucas’ plans for a sequel trilogy were reportedly scrapped when Disney took over the franchise, The Last Jedi did get to a point with some of its main characters that has a lot in common with those early outlines. Luke’s death occurred one episode earlier, and Leia (Carrie Fisher) did show some aptitude with The Force in Johnson’s 2017 film. “George had an overall arc — if he didn’t have all the details, he had sort of an overall feel for where the [sequel trilogy was] going — but this [sequel trilogy] is more like a relay race, ” Hamill said of the current saga, which appears to be letting its creative teams take the over-arching events in some unexpected directions, too. “You run and hand the torch off to the next guy, he picks it up and goes. ” The rich get richer Whatever your thoughts about Episode VIII, most can agree that it was a visually spectacular film. Scenes like the throne room saber battle and Vice Admiral Holdo’s lightspeed strike were breathtaking, thanks to some excellent art direction and production design. Now, the team for Episode IX has a new, distinguished member: Paul Inglis, who served as art director for the excellent (and gorgeous) Blade Runner 2049. Thanks to a report from Omega Underground, we know Inglis was tapped as the supervising art director for Episode IX, to work alongside Abrams and the production team to define the film’s aesthetic. Inglis’ previous credits also include Skyfall, Game of Thrones, Prometheus, and Children of Men. A different kind of ship Some Star Wars fans saw Rey (Ridley) and Poe (Isaac) meet in The Last Jedi and started hoping it was their meet-cute. The single scene was enough to fuel shipping rumors — so much so that Ridley had to answer a question about it during a promotional event in China. Redditor Niamor89 posted a video ( via Sleemo) showing the actress discussing the two Resistance fighters’ possible romantic future. Put simply, she doesn’t really want them to have one. “It’s wonderful to have relationships that are not romantic, ” Ridley said. “I don’t think in films you always need a romantic relationship. I think friend relationships can be romantic in their gestures and their intimacy and all of that. So I think, hopefully — you know, if Rey and Poe get to have some scenes together and stuff — that there will be intimacy, but I think, for me, it doesn’t have to be romantic love. ” Location on loch The next installment of the Star Wars franchise headed to the highlands — the county of Argyll in the Scottish Highlands, to be precise. A report in Scotland’s Daily Record indicated that a new Star Wars movie began filming in the western Scottish county of Argyll in June, with shooting taking place in the historic mountain pass known as the Rest and Be Thankful. Although the initial report suggested that it was Johnson’s spinoff trilogy that filmed in Argyll, that series hasn’t entered production — so if a Star Wars movie did indeed shoot in Argyll, it’s most likely Abrams’ Episode IX. Parent problems, redux Although The Last Jedi seemed to offer some resolution regarding the mystery of Rey’s lineage, Johnson indicated in an interview with Huffington Post that fans might not have heard the end of that particular identity crisis. “Anything’s still open, and I’m not writing the next film. [Abrams and co-writer Chris Terrio] are doing it, ” said Johnson while discussing the revelation about Rey’s parents that has become one of the most polarizing aspects of the film. Their story will go on Don’t let the description of Episode IX as a “concluding chapter” mislead you: The stars of the sequel trilogy aren’t going away. In a November 2017 interview featured on The Star Wars Show, Lucasfilm president Kathleen Kennedy indicated that many of the main characters introduced in Star Wars: Episode VII — The Force Awakens will continue their stories in Episode IX and beyond the sequel trilogy. “We’re sitting down now, we’re talking about the next 10 years of Star Wars stories, and we’re looking at, narratively, where that might go, ” Kennedy said. “Future stories beyond Episode IX with these new characters — Rey, Poe, Finn, BB-8 — but we’re also looking at working with people who are interested in coming into the Star Wars world and taking us places we haven’t been yet. That’s exciting too because it’s a vast galaxy far, far away. ” Going back to the beginning After original Episode IX director Colin Trevorrow exited the project in September 2017 due to creative differences with the studio, it didn’t take long for Disney and Lucasfilm to find a new filmmaker to helm the movie — and he was a familiar face to fans of the franchise. Abrams was named the new director of the film just a week after the post was vacated, with the film’s co-writer, Academy Award winner Chris Terrio ( Argo, Justice League), also announced at that time. “With The Force Awakens, J. delivered everything we could have possibly hoped for, and I am so excited that he is coming back to close out this trilogy, ” Kennedy said in a statement on. Given the success of Abrams’ franchise-relaunching sequel The Force Awakens, the decision to bring him back for Episode IX seems like a safe bet for the studio. Release date, updated Not too long after Abrams was announced as the director of Episode IX, the film also received a new release date. Star Wars: Episode IX officially hit theaters on December 20, 2019, several months later than its original release date of May 24, 2019. The new release date has the film arriving in theaters on the same weekend as a live-action feature based on the popular Broadway musical Cats. It also allows the film to carry on the tradition set by the two serialized installments of the Star Wars franchise that immediately precede it, Star Wars: Episode VII — The Force Awakens and Star Wars: Episode VIII — The Last Jedi, which were both assigned December premieres. Editors' Recommendations No Mandalorian? 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I just want to know how Bill Cosby's sweater got a walk on... Star wars: episode ix - the rise of skywalker watch free game. Star wars: episode ix - the rise of skywalker watch free watch. Star wars episode ix - the rise of skywalker watch free. Star Wars grew from one movie with sequels and prequels and even more sequels. The entire saga was about. bringing balance to the Force. The story has never been absolute perfect but forgivable because it's s story like no other than has character depth and a plot from start to finish that fans can understand. Evil arises in the Phantom Menace. That evil is countered and eventually defeated in Rise of Skywalker. As a fan who watched the very first movie many years ago as child, I can say I feel satisfied with its conclusion. No, this movie was not the best of the bunch but tied up loose ends with suspense and surprises. We see good triumph over evil one again and the Skywalker family playing a significant role as expected.

How can they end it? I was 4 years old when a new hope blew my mind. 43 years later Im still mind blown. Please dont leave it 30 years for someone to pick it up again. Not sure if Ill be around to see it. Star Wars: Episode IX - The Rise of Skywalker Watch free web site. Star wars 3a episode ix- the rise of skywalker watch free remix. 'Star Wars Episode IX: Rise Of Skywalker' is a great, fun film but it's not without its flaws. Here... [+] are the seven biggest problems with the final entry in the Skywalker Saga. Credit: Disney / Lucasfilm I’ve seen Star Wars Episode IX: The Rise Of Skywalker twice now in theaters and both times I’ve enjoyed it quite a bit. But it’s not without its flaws. I won’t join my fellow critics or the vocal minority of fans who despise the film. I don’t despise it and I didn’t despise The Last Jedi, either. I’ve enjoyed each of the three sequel films, though as a trilogy I think they feel a bit incoherent and disconnected. Maybe that’s because there wasn’t a master plan going into the new trilogy. Maybe it’s because hopping back and forth between Rian Johnson and J. J. Abrams—instead of having the two filmmakers work together on the whole project—was a mistake. Maybe this is just how Star Wars has always been from the very beginning. Making it up as they go along. Whatever the case, as much as I have enjoyed these new Star Wars films, each of them has had a number of issues that could have been avoided. Here are my biggest problems with The Rise Of Skywalker. 1. The Movie Was Too Rushed I’ve written about this problem previously, but it bears repeating. Probably my number one problem with The Rise Of Skywalker was just how rushed it felt, especially in the first act. The pacing is so frenetic that when you think Chewie (Joonas Suotamo) is dead, you barely have time to process it. d. I’ve written at great length about this, so I won’t go into more detail here. Suffice to say, if they had made Episode IX all about discovering that Emperor Palpatine (Ian McDiarmid) was back and revealing Rey’s true parentage, and then Episode X was about the Resistance finally taking down the Emperor once and for all, it would have had a lot more room to breathe. And it needed that room very badly. One of the great things about the original trilogy that pretty much every new Star Wars movie (including Rogue One) has failed at, is taking time to establish place. We haven’t gotten long, extended scenes like the Jabba the Hutt sequence on Tatooine or the opening of Empire Strikes Back on Hoth. The end of Rise of Skywalker on Exogol gives us precious little time getting to know that planet compared to the final act of Return of the Jedi on Endor. Instead, we’re rushed off to some new escapade and another brief stop at a planet we can barely remember afterward. We rarely return to revisit these locations, either, unlike the original trilogy which returns to both Degoba and Tatooine. If they would just limit each movie to three locations/planets we’d be in much better shape. That’s certainly true with Rise Of Skywalker which hops from planet to planet with reckless abandon. Even a longer movie might have worked as a second-best solution, but whatever the case Rey (Daisy Ridely) Finn (John Boyega) Poe (Oscar Isaac) and Kylo Ren (Adam Driver) all could have used more time to grow as characters. 2. Rose Tico Was Absolutely Sidelined Rose Tico got the shaft I don’t care what the reasons are for Rose Tico’s unbelievably brief screen-time. There’s really no excuse. And I say this as someone who was never really all that into Rose (Kelly Marie Tran) to begin with. She’s a fine character but nothing special and I’m still a little surprised that she was given that much screen-time in The Last Jedi to begin with when we should have had the core cast spending more time together instead— one of its most egregious errors. But we have to deal with the hand we’re dealt, and in this case Rose was an established character with a major role and an important relationship with Finn. She should have been with Finn and Poe and Rey when they went out to find the Sith wayfinder. Full stop. Rose should have been there, even if she ended up staying on the ship for some scenes to hold down the fort. Yes, there’s the whole “She was supposed to be with Leia but the CGI was troublesome” argument, but I think that’s pretty flimsy. Why have Rose with Leia when the previous film established her and Finn as friends? Besides, there were plenty of other “anchor” characters to keep Leia company at base. Rise Of Skywalker does the same thing The Last Jedi does in introducing new characters for no apparent reason. I have no problem with Finn’s new pal Jannah (Naomi Ackie) or Poe’s old fling Zorii Bliss (Keri Russell) but both these brand new characters have better lines, more lines and more interesting roles than Rose. So maybe it wasn’t intentional, but it sure seems like a slap in the face. Instead of sidelining Rose, maybe Abrams could have given her a more interesting part to play. Her and Finn’s friendship could certainly have been explored in greater depth (especially if we had two movies! ) 3. Too Many Last Jedi About-Faces Snoke and Kylo Ren in The Last Jedi I think a fair critique of The Last Jedi is that it takes too much of The Force Awakens and turns it on its head. It’s an interesting storytelling method—to take tropes and expectations and subvert them completely. On some levels, The Last Jedi did this quite well. For instance, Luke Skywalker had a brilliant arc in The Last Jedi. The only problem was the fact that we didn’t get to see Luke for so many decades that when we finally found him and he was bitter, living in self-exile, cut off from the Force, it was almost too much to accept. But by the end of the film, he saves the day, and by the time Rise of Skywalker comes along, he’s back to his former self. That, I think, felt very natural and right. It was a logical, powerful continuity between the two films. But elsewhere, both films try to backpedal too much on their predecessors, to the point where it almost doesn’t feel like a trilogy at all. Clearly Rey was set up as important and her character was meant to have important parents, even if Abrams hadn’t figured out who they were just yet. I didn’t mind that Johnson tossed this any more than I minded Luke tossing the lightsaber (and later catching it in Rise). But it would be nice if there was some cooperation at play between storytellers and directors here. At the very least, if we’d been left doubting Kylo Ren at the end of The Last Jedi, or had some other hints pointing at a possible Palpatine link, then when we learn that in Rise it wouldn’t have felt like a “fix. ” And I would have been perfectly okay if Rey had actually been a “nobody” and Palpatine still wanted to use her as a potential vessel. She didn’t need to be his granddaughter for this to work, and in some ways her being his granddaughter makes it a more unwieldy plot point. For instance, why didn’t her parents take her to somewhere safe like the New Republic or Luke Skywalker and instead sold her off into slavery? And why didn’t the bounty hunter who took them notice the little girl watching his ship fly off? This kind of thing, coupled with Rose Tico’s diminished role, the line about the “Holdo Maneuver” being “one in a million” and the myriad other ways Rise of Skywalker seems to undermine The Last Jedi (in similar fashion to how The Last Jedi undermined The Force Awakens) makes the whole trilogy feel incoherent. (Update: A reader pointed out that he thinks the Holdo “one in a million” line is actually an homage to Holdo’s badassery in The Last Jedi, which I can see). As my colleague Paul Tassi points out, you can almost just skip The Last Jedi altogether at this point and nothing would really change. I think he’s exaggerating a bit. You still need all the Luke / Rey / Kylo stuff including the final battle, but you could (and maybe should) just skip past the space chase and the casino planet. It seems to me that coming up with a better game-plan for the second and third installments, so that at the very least they seemed to work together, would have been a smart move for Disney and LucasFilm. In an ideal world, the twists between each film would have felt natural and earned—instead we’re left with narrative whiplash. 4. Missed Opportunities Rey, Finn and Poe I don’t usually “ship” couples in shows and movies, and I honestly don’t have a dog in this fight, but Finn and Poe could have been a romantic couple and it would have worked pretty well. It would have been a lot bolder than one same-sex kiss at the end of the movie. But even if the film didn’t spell it out explicitly, it would have been better to leave the door open to at least the possibility. It seems like Rise of Skywalker goes out of its way to tell us “Poe Dameron is heterosexual and he will never be a romance option for Finn” which is weird. Maybe less weird if we’d met Poe’s former squeeze a movie or two ago instead of last minute after all the fan shipping. But even more than just a romance between these two, I feel like the new trilogy really dropped the ball just establishing a deep friendship—and not just between Poe and Finn, but also between those two and Rey. They embrace at the end of the film, but especially Rey and Poe never really had much of a chance to bond, and the friendship between Rey and Finn kind of fell away during The Last Jedi. They meet at the end of Episode VIII and are bickering by the start of Episode IX and then there’s just not much else. Lots of missed opportunities over the course of this entire trilogy. I think Abrams did a pretty good job trying to course correct, but it was too little too late. 5. Finn Never Tells Rey What He Wants To Tell Her Finn and Jannah At one point, as they sink into quicksand on a desert planet, thinking that it’s his last time seeing Rey, Finn calls out “Rey, I never told you... ” and then disappears into the earth. When she asks him later he says that they’ll talk about it later. “When I’m not around? ” Poe chimes in. Throughout the movie Poe and Finn toss barbs at one another. Finn pokes at Poe’s past as a spice runner and member of the criminal underground. Poe keeps pestering Finn about what he wanted to tell Rey. So the question is: What? What was he supposed to tell her? But we never find out. Maybe it isn’t important. Maybe it’s that Finn has the Force. Or that he loves Rey. Or that he’s secretly in love with Poe but too scared to tell him (though, uh, that seems unlikely at this point! ) Maybe it’s just a funny joke he heard. We don’t know. The other question is: Why? Why do we not find out what Finn wanted to say? Was it a matter of scree-time? Was it never filmed? Did they not know? It’s perplexing and strange and feels more like an oversight than anything. Maybe we’re supposed to be left guessing. I’m just not sure what the point of that is. 6. The Star Destroyer Fleet Is Just Another Death Star In Disguise Sith Fleet I guess the first time around this didn’t really bother me. Star Wars hype and all that. Or maybe it was the excellent, emotional performances by Adam Driver and Daisy Ridley there at the end that, for me at least, overshadowed everything else about the final scene. Second time around, well, it isn’t that I’m bothered by the parallels to The Return of the Jedi. I like parallels. I think Star Wars works well, or at least the Skywalker Saga works well as a series of repeating themes, stories and images throughout all three trilogies. The problem here is two-fold. First, the build-up to the destruction of the Sith fleet is just nowhere near as fun as the whole Endor moon sequence. Say what you will about the Ewoks, at least we had some cool rebel scum scenes on the speeder-bikes and taking down the deflector shield before we got the attack on the Death Star by the rebel fleet. Here we have some scenes with Rey and Kylo and Palpatine while the rebels are already attacking (no need to wait since there’s no shield around Exogol for some reason) and then, just like that, a massive fleet of ships from all across the galaxy appears, deus ex machina style, just in the nick of time. Even then, I could accept all of this if it weren’t for yet another Death Star, or rather a whole fleet of Star Destroyers with planet-exploding firepower. So like... 150 Death Stars. We’ve just had far, far too many films in this series feature giant spacecraft that the good guys need to take down. The original Death Star, the new and improved Death Star, Starkiller Base and now the Sith Fleet. Only Empire Strikes Back and The Last Jedi avoided this—much to each film’s credit. Ultimately, I think the Emperor returning would have been threat enough, even without this fleet. The First Order already had the upper hand in terms of navy and firepower. A smaller assault on Exogol might have worked better, with the rest of the galaxy rising up to take down the First Order elsewhere. Not as flashy, sure, but it still would have been better. Have Finn, Poe, Rose, Jannah etc. help Rey break into the Sith fortress with some cool fight scenes between them and the weird hooded cult people. Keep all the rest of the confrontation the same. Again, maybe all of this would have unfurled more naturally in two movies. P. S. The other thing about this fleet is that it’s just emerged only moments before the action starts and already—miraculously—Palpatine and the First Order have it fully manned. That’s around 37, 000 crew per ship that just materialized. Why not have a droid fleet instead? How cool would that have been? Or at least explain that they’re manned by clones the Emperor has been harvesting all this time. 7. Space Horses and Other Ephemera Space Horses The rest is all quibbles. The bit where Finn and Jannah and the other rebels ride out on the space horses (orbaks) to take down the Sith fleet—is that really a good idea? Do mounts really help you in a situation like that? By all means, get the ex-stormtroopers on your team, but leave the poor beasts back on their moon. The sequence reminds me a bit of the fathier creatures on Canto Bight from The Last Jedi. Then there’s the scene between Jannah and Lando (Billy Dee Williams) when she comes up and, out of the blue, asks him where he’s from. After he replies he asks her in turn. She says she doesn’t know. He says “Well let’s find out. ” It’s all so hackneyed. Some people took it as though Lando is hitting on Jannah. Others think maybe she’s his daughter. I think it’s most likely some kind of setup for a spinoff either in book or Disney+ form. Clearly Jannah is meant for bigger things in some fashion or other. Verdict So this is a pretty long list of gripes, but I don’t want that to make you think I disliked the movie. Far from it! It was one of C-3PO’s best outings, for one thing. I loved the showdown with the Emperor and both the Rey/Kylo Ren scenes. Adam Driver is truly a phenomenal actor, perhaps the best actor to ever grace a Star Wars film. Daisy Ridley was also terrific, and I loved to see her get the training she’s deserved, with Leia (Carrie Fisher) as her master. The work they did incorporating Fisher into this film was also spectacularly done, as was the CGI in the flashback scene between Luke and Leia. More than anything, I think the film did a great—if slightly messy—job at capturing the spirit of Star Wars. A lot of critics complained about too much fan service, but I loved the fan service. Chewie’s grief at Leia’s passing was palpable. The fact that he finally got his medal after all these years is also such a nice touch. I liked more about this movie than I disliked, which is true of each of the three new films in the trilogy, as well as both Rogue One and Solo. I still think my favorite new Star Wars content is The Mandalorian, but I’m excited—thrilled even—that we even have new Star Wars movies and TV shows at all. A lot of people focus too much on what makes these movies not work. And while I think that’s important—ergo this post—and that criticism is a useful and necessary part of consuming content, I think it’s just as important to give props where they’re due. J. Abrams and the whole team of actors, producers, SFX people, editors, cinematographers and everyone else involved in these pictures deserve hefty praise. It hasn’t been perfect, and I hope Disney and LucasFilm have learned a lot, but I’m glad we have these movies, nevertheless. Read More: The Critics Must Be Crazy: Rise Of Skywalker Is The Best Of The New Star Wars Trilogy.

Episode IX: Turns Out It Was All A Dream. Remember when you said if an actor is in Star Wars and the MCU, it's unfair, well, I found a bunch of actors who did exactly that. Samuel L Jackson (Episodes 1-3 and many Marvel films) Benico Deltoro (Episode 8 and Guardians of the Galaxy) Peter Sereginsfy (Episode 1 and Guardians of the Galaxy Vol. 2. Parallelism: The person that we thought was the villain is really a victim (Kylo. The villain is trying to regain his honor, name of Skywalker. This is the Ben Solo arc redemption story. 😉.

Star Wars: Episode IX - The Rise of Skywalker Watch freelance. Daisey Ridley looks very good here! Sharp and beautiful. Marie Tran. the same.

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Looks like a very long Geico commercial, this will be hilarious. Would love to see it. Love Juliana Marguilles ! The book is incredible. Three Christs (2017) Dr. Alan Stone breaks new ground for treatment of the mentally ill through an experiment on three paranoid schizophrenic patients who believe they are Jesus Christ. Jon Avnet Richard Gere, Peter Dinklage, Walton Goggins, Bradley Whitford, Charlotte Hope, Julianna Margulies, Kevin Pollak, James Monroe Iglehart, Stephen Root, Jane Alexander, Julian Acosta, Danny Deferrari, Chris Bannow, Kathryn Leigh Scott, Christina Scherer, Nancy Robinette, Ripley Sobo, Stina Kalman, George Aloi, Ava Gallucci, Shade Rupe, Frankie Verroca, Roger Brenner tt5706370.

Trailer is a bout 2 minutes too long. Name of the song. Sounds like a great movie, love Walton Goggins he's a great actor.
When will we be able to view it. The dad reminds me of my brother, got divorced only to be trapped again lol. Three Christs Download movie page imdb. Three Christs Download movies. Three christ's download movie video.

Three christ's download movie online. This looks good, I hope they sharpen up the CGI before release though. Life of Pi tiger (Richard Parker) looked amazing and that was almost 8 years ago. Three christ's download movie trailer.

 

Three Christs Download movie reviews. Anyone know where I can watch this? I cant seem to find a DVD. I really wanted to see this. But after this trailer I lost interest cgi ruined it. I remember reading the book 35 years ago. God, I'm old. "Three Christs" was a last minute choice of mine at the TIFF. As a big Dinklage's fan, and considering that it was a world premiere, it was easy enough to go check it out. I'm glad I did. This movie is one about the brain and its struggles, but it does so with a big heart. It's funny and touching with a good balance, and the acting is top notch (I'm actually a bigger Dinklage's fan after the movie. The underlying themes about psychiatry as science and its potential negative effect on personality, the nature of identity, the complex interaction of desire and fear are inhabiting the film and are as relevant today as they were at the time. In summary, a great entertaining movie with a deeper layer. and a stellar Dinklage.

Have you guys watched Safe Spaces (2019) this trailer looks exactly like that movie. hmm. sarcastically speaking. Three christ's download movie hd.

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Let the church deal with them. The CGI is hard to look at. My mom use to work at Ypsi State Hospital. Lol. The ice caps arent melting, the ice is growing. Three Christs Download movie. I thought im gonna see another. lets try to re-animate a living thing from the past movie then eventually goes sideways. Atleast im wrong haha. Three christ's download movie 2. The events as they are recorded, however, did not occur in history. The crucifixion of Christ was a psychic, but not a physical event….

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This had potential, but, he's already unbearable after a minute of this trailer. Very good film! Love Goggins & Dinklage. Three christ's download movie list. Some serious political incorrectness thats for sure.

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Mr dry : D. Three christ's download movie full. Goggins is an amazing actor. And then, right at the end, Peter Dinklage smiles as his eyes crackle with lightning, then he smites the secretly evil and malicious non-believers into dust. Jees they really nailed the CGI Harrison Ford. John Williams, also formerly credited as Johnny Williams, worked as a jazz pianist and studio musician before starting to compose for television and film. Throughout his career he has directed his own works whenever possible. This article includes all the works performed by John Williams and the ensembles he conducted during his career, such as the London Symphony Orchestra and the Boston Pops Orchestra, as whose music director he served from 1980 to 1993. It also features a complementary section dedicated to his discography as a composer, which features many compositions which he himself did not record. Year Album Label Notes and remarks 1957 The John Towner Touch Kapp John Towner Williams, piano; reissued in the 2006 compilation Jazz Beginnings, Fresh Sound Records. World on a String Bethlehem Arranged by John Williams; piano by John Williams; reissued in 1984 as The John Williams Band Plays the Music of Harold Arlen, Discovery Records; reissued in 1986, Discovery records; reissued in the 2006 compilation Jazz Beginnings, Fresh Sound Records; reissued in 2015 as World on a String, Bethlehem Records. The Johnny Williams Orchestra Plays Sounds from Screen Spectaculars Craftsmen Arranged and Conducted by John Williams; piano by John Williams, Hollywood Grand Studio Orchestra; reissued in 1958 as Bigs Hits from Columbia Pictures, Tops, 10 tracks; reissued in 1958 as Bigs Hits from Columbia Pictures, Golden Tone, 8 tracks, stereo; reissued in 1958 as Bigs Hits from Columbia Pictures, Mayfair, 10 tracks, stereo; reissued in 1996 as Movie Memories [Big Hits], Simitar/Pickwick, 10 tracks, stereo; Reissued for digital download in 2012, Simitar 1960 Checkmate [Original Music from The CBS-TV Show] Columbia Re-recording; composed and conducted by Johnny Williams; also released in 1960, Columbia, stereo; reissued in the 2006 compilation Checkmate/Rhythm in Motion, Film Score Monthly; Reissued for digital download in 2012, Soundtrack Classics 1961 Rhythm in Motion Conducted by Johnny Williams; also released in 1961, Columbia, stereo; reissued in the 2006 compilation Checkmate/Rhythm in Motion, Film Score Monthly; Reissued for digital download in 2015, Jasnet Records 1963 Diamond Head [Music from the Motion Picture] Colpix Records Re-recording; composed and conducted by John Williams, except the main theme composed by Hugo Winterhalter; also released in 1963, Colpix Records, stereo; reissued in the 2006 compilation Diamond Head/Gone With the Wave, Film Score Monthly; Reissued for digital download in 2011, Master Classics Records 1966 How to Steal a Million [Original Motion Picture Score] 20th Century Fox Records Re-recording; composed and conducted by John Williams; also released in 1966, 20th Century Fox Records, stereo; reissued in 2008 How to Steal a Million/Bachelor Flat, Intrada Special Collection; Reissued for digital download in 2015, TP4 Music Not With My Wife, You Don't! [Original Motion Picture Soundtrack Album] Warner Bros. Records Re-recording; composed and conducted by John Williams; also released in 1966, Warner Bros. Records, stereo; reissued in 2006, Film Score Monthly. Penelope [Original Music from the MGM Film] MGM Records Re-recording; composed and conducted by John Williams; also released in 1966, MGM Records, stereo; reissued in the 2004 compilation Penelope/Bachelor in Paradise, Film Score Monthly. 1967 Fitzwilly [Original Motion Picture Score] United Artists Re-recording; composed and conducted by John Williams; also released in 1967, United Artists Records, stereo; reissued in the 2004 compilation Fitzwilly/The Long Goodbye, Varèse Sarabande CD Club. Valley of the Dolls [Music from the Motion Picture Soundtrack] Songs by Dory and André Previn; music composed, adapted and conducted by Johnny Williams; also released in 1967, 20th Century Fox Records, stereo; reissued in 1998, Philips; Reissued for digital download in 2017, UMG Recordings 1968 Heidi [Original Soundtrack Recording] Capitol Composed and conducted by John Williams. 1969 Goodbye, Mr. Chips [Original Motion Picture Soundtrack] Music and lyrics by Leslie Bricusse; music supervised and conducted by John Williams; also issued for promo in 1969, containing some alternates cues. The Reivers [Original Score] Composed and conducted by John Williams; reissued in 1990, Masters Film Music/Canada. 1971 Jane Eyre [Music from the Omnibus/Sagittarius Production] Composed and conducted by John Williams; reissued in 2012, La-La Land Records. Fiddler on the Roof [Original Motion Picture Soundtrack Recording] Violin solos by Isaac Stern; music for stage play and film by Jerry Bock; music adapted and conducted by John Williams; reissued in 1984, EMI; Reissued for digital download in 2015, Capitol Records 1972 Images [The Original Sound Track Recording] Hemdale Music/BMI Promo; percussion: Stomu Yamashta; composed and conducted by John Williams; reissued in 2007, Prometheus/Belgium; reissued for digital download in 2012, BSX Records. 1973 Tom Sawyer [Original Motion Picture Soundtrack] Music and lyrics by Richard M. and Robert B. Sherman; music adapted and conducted by John Williams. Cinderella Liberty [Original Motion Picture Soundtrack] 20th Century Records Composed and conducted by John Williams; harmonica solos by Toots Thielemans; reissued in 2008, Intrada Special Collection. 1974 Earthquake [Music from the Original Motion Picture Soundtrack] MCA Records Re-recording; Composed and conducted by John Williams; reissued in 1990, Varèse Sarabande. The Towering Inferno [Original Motion Picture Soundtrack] Composed and conducted by John Williams; reissued for digital download in 2014, Rhino. 1975 The Eiger Sanction [Music from the Original Motion Picture Soundtrack] Composed and conducted by John Williams; reissued in 1991, Varèse Sarabande. Jaws [Music from the Original Motion Picture Soundtrack] Re-recording; Composed, conducted and produced by John Williams; rereleased in 1975, MCA Records; reissued in 1980, MCA Records; reissued in 1992, MCA Records; reissued in 2015 as a LP, Geffen Records; reissued for digital download in 2015, Geffen Records. 1976 The Missouri Breaks [Original MGM Motion Picture Soundtrack] Re-recording; composed and conducted by John Williams. 1977 Star Wars [Original Motion Picture Soundtrack] [3] 2 LPs; composed and conducted by John Williams; rereleased in 1977, 20th Century Records; reissued in 1977, RSO; reissued in 1986, Polydor; reissued in 2016 as 2-LP "Limited Edition Gold Vinyl", Sony; reissued in 2016 as 2-LP "Limited Edition Picture Disc", Super Deluxe Edition; Reissued for digital download in 2017, Walt Disney Records; reissued in 2017 as 3-LP Star Wars: A New Hope 40th Anniversary Box Set, Walt Disney Records; Reissued in 2018, Walt Disney Records, Remastered. Close Encounters of the Third Kind [Original Motion Picture Soundtrack] Arista Composed, conducted and produced by John Williams; also issued for promo with a complimentary single, Arista; rereleased in 1977, Arista; rereleased in 1977, Arista; reissued in 1988, Arista Records; reissued in 1990, Varèse Sarabande; reissued in 2004 as a DVD-audio, Classic Records; reissued in 2015 as a SACD, Audio Fidelity. 1978 The Fury [Original Soundtrack Recording] [3] Re-recording; composed, conducted and produced by John Williams; also issued for promo in 1978, Arista; reissued in 1990, Varèse Sarabande. Jaws 2 [The Original Motion Picture Soundtrack] Composed, conducted and produced by John Williams; reissued in 1990, Varèse Sarabande; reissued for digital download in 2015, Geffen. Superman: The Movie Original Sound Track [3] 2 LPs; composed, conducted and produced by John Williams; reissued partially in 1987, Warner Bros. Records; reissued in 1990, Warner Bros. Records/Japan. 1979 Dracula [Original Motion Picture Soundtrack] [3] Composed, conducted and produced by John Williams; reissued in 1990, Varèse Sarabande. 1941 [Original Motion Picture Soundtrack] Composed, conducted and produced by John Williams; reissued in 1990, Bay Cities; reissued in 1997, Varèse Sarabande. 1980 Star Wars: The Empire Strikes Back [The Original Soundtrack from the Motion Picture] [3] RSO 2 LPs; composed and conducted by John Williams; reissued in 1980, Polydor; also issued partially for promo in 1980, RSO; reissued partially in 1985, Polydor; reissued in 2016 as 2-LP "Limited Edition Gold Vinyl", Sony; reissued for digital download in 2017, Walt Disney Records; Reissued in 2018, Walt Disney Records, Remastered. Boston Pops: Pops in Space Philips Reissued in 1985, Philips; Reissued for digital download in 2014, Universal Boston Pops: Pops on the March Reissued in 1985, Philips. 1981 Raiders of the Lost Ark [Original Motion Picture Soundtrack] [3] Composed, conducted and produced by John Williams; Reissued in 1981, Polydor; Reissued in 1985, Polydor/Germany. Boston Pops: That's Entertainment Boston Pops: We Wish You a Merry Christmas Reissued in 1985, Philips; Reissued for digital download in 2014, Decca. 1982 Boston Pops: Pops Around the World – Digital Overtures Rereleased in 1982, Philips; Reissued for digital download in 2014, Universal Boston Pops: Aisle Seat – Great Film Music Rereleased in 1983, Philips; Reissued for digital download in 2014, Decca. E. T. : The Extra-Terrestrial [Music from the Original Motion Picture Soundtrack] Mainly featuring concert arrangements based on the film's music (not a re-recording); Composed and Conducted by John Williams; Rereleased in 1982, MCA Records, Picture Disc; Rereleased in 1982, MCA Records Audiophile; Reissued in 1985, MCA Records/Japan; Reissued two times in 1987 with two different covers, MCA Records; Reissued in 2015 as a LP, Geffen Records; Reissued for digital download in 2015, Geffen Records; Reissued in 2017 as "E. The Extra - Terrestrial: 35th Anniversary Limited Edition [4K Ultra HD + Blu-ray + Digital HD + CD]", Universal Studios Home Entertainment, Remastered. Monsignor [from the 20th Century Film] [3] Casablanca Composed, conducted and produced by John Williams; Reissued in 2007, Intrada Special Collection. 1983 Boston Pops: Out of this World Star Wars: Return of the Jedi [The Original Motion Picture Soundtrack] [3] Composed and Conducted by John Williams; Rereleased in 1983, RSO; Reissued in 1983, Polydor; Reissued in 1986, Polydor; Reissued in 2016 "Limited Edition Gold Vinyl", Sony; Reissued for digital download in 2017, Walt Disney Records; Reissued in 2018, Walt Disney Records, Remastered. 1984 Boston Pops: On Stage Rereleased in 1984, Philips; Reissued for digital download in 2014, Universal Boston Pops: Peter and the Wolf/Nutcracker Suite Narration by Dudley Moore (US); International editions: narration by Christoph Rueger (DE) (coupled with Le Carnaval des Animaux, dir. André Previn), narration by Terry Wogan (GB), narration by Leoni Jansen (NL), narration by Pierre Perret (F), narration by Stephan Remmler (D); Reissued for digital download in 2014 (Dudley Moore, Terry Wogan), Decca. Indiana Jones and the Temple of Doom [The Original Motion Picture Soundtrack] Polydor Composed, conducted and produced by John Williams; Rereleased in 1984, Polydor; Reissued in 1985, Polydor. The River [Original Soundtrack Recording] Composed, conducted and produced by John Williams; Reissued in 1991, Varèse Sarabande. 1985 Boston Pops: Swing, Swing, Swing Rereleased in 1985, Philips Digital Classics; Reissued for digital download in 2014, Universal Boston Pops: America, The Dream Goes On The lead vocals on the title selection (whose lyrics were written by Alan Bergman and Marilyn Bergman) are performed by James Ingram; Rereleased in 1985, Philips; Reissued for digital download in 2014, Decca. 1986 Boston Pops: Bernstein by Boston Rereleased in 1986, Philips; Reissued for digital download in 2014, Decca. SpaceCamp [Original Motion Picture Soundtrack] RCA Victor Composed and conducted by John Williams; Reissued in 2010, Intrada, Special Collection; Reissued in 2014, Intrada. 1987 Boston Pops: Pops in Love Rereleased in 1987, Philips; Reissued for digital download in 2014, Decca. Boston Pops: Holst – The Planets The Witches of Eastwick [Original Motion Picture Soundtrack] Composed, conducted and produced by John Williams; Rereleased in 1987, Warner Bros. Records; Reissued in 2006, Collectors' Choice Music; Reissued in 2012, Perseverance Records; Reissued for digital download in 2015, Rhino/Warner Bros. Empire of the Sun [Original Motion Picture Soundtrack] Composed, conducted and produced by John Williams; choir conductor: Janine Wagner; rereleased in 1987, Warner Bros. Records; rereleased in 1987, Warner Bros. Records; Reissued for digital download in 2010, Warner Bros. 1988 Boston Pops: Digital Jukebox Rereleased in 1988, Philips; Reissued for digital download in 2014, Universal The Accidental Tourist [Original Motion Picture Soundtrack] Composed, conducted and produced by John Williams; rereleased in 1989, Warner Bros. Records; reissued in 2008, Film Score Monthly; reissued for digital download in 2016, Rhino/Warner Bros. 1989 Boston Pops: Pops Britannia Reissued for digital download in 2014, Decca. Boston Pops: Salute to Hollywood Reissued for digital download in 2014, Universal Indiana Jones and the Last Crusade [Original Motion Picture Soundtrack] Composed, conducted and produced by John Williams; also issued for promo in 1989, Warner Bros. Records. Born on the Fourth of July [Motion Picture Soundtrack Album] Composed, conducted and produced by John Williams; rereleased in 1989, MCA Records; Reissued for digital download in 2016, Geffen Records 1990 Always [Motion Picture Soundtrack Album] Composed, conducted and produced by John Williams; rereleased in 1990, MCA Records. Boston Pops: Pops a la Russe Boston Pops: Pops by George – The Music Of Gershwin Misha Dichter, piano; Rereleased in 1990 "Pops by Gershwin", Philips. Boston Pops: Music of the Night Sony Classical Reissued for digital download in 2017, Sony Classical. John Williams Conducts John Williams – The Star Wars Trilogy New recordings; Composed and Conducted by John Williams; Reissued for digital download in 2017, Sony Classical. Stanley & Iris [Original Motion Picture Soundtrack] Varèse Sarabande Composed and Conducted by John Williams; Reissued in 1990, Varèse Sarabande. Presumed Innocent [Original Motion Picture Soundtrack] Colosseum VSD Composed, conducted and produced by John Williams; Rereleased in 1990, Varèse Sarabande. Home Alone [Original Motion Picture Soundtrack] CBS Composed, conducted and produced by John Williams; Reissued in 2015 Home Alone 25th anniversary Edition, Sony; Reissued in 2015 as 2-LP (two different versions), Mondo Records; Reissued for digital download in 2015 Home Alone 25th anniversary Edition, Masterworks 1991 Boston Pops: The Spielberg/Williams Collaboration Composed and Conducted by John Williams; Theme from Sugarland Express: Toots Thielemans, Harmonica; Reissued in 2009 X2: The Spielberg/Williams Collaboration / The Hollywood Sound, Sony Music Distribution; Reissued for digital download in 2017, Sony Classical. Boston Pops: I Love a Parade Hook [Original Motion Picture Soundtrack] Epic Records Composed, conducted and produced by John Williams; Reissued in 1991, Epic Soundtrax. 1992 JFK [Original Motion Picture Soundtrack] Elektra Composed and Conducted by John Williams. Boston Pops: The Green Album Boston Pops: Joy to the World Far and Away [Original Motion Picture Soundtrack] Composed, conducted and produced by John Williams. Home Alone 2 – Lost in New York [Original Soundtrack Album] Fox Records 1993 Boston Pops: Night and Day – Celebrate Sinatra Boston Pops: Unforgettable Jurassic Park [Original Motion Picture Soundtrack] Composed and Produced by John Williams; Co-Conducted by John Williams and Artie Kane (uncredited); Rereleased in 1993 with Picture Disc, MCA Records; Reissued for digital download in 2013, Geffen; Reissued in 2014 as 2-LP (two different versions), Mondo Records; Repress in 2015, Mondo Records. Schindler's List [Music from the Original Motion Picture Soundtrack] Violin Solos by Itzhak Perlman; composed and conducted by John Williams; Reissued in 1995 as a 24k Gold Disc, remastered, MCA Records; Reissued for digital download in 2011, Geffen Records; Reissued in 2016 as a K2 HD CD, remastered, MCA Records/Japan 1994 Boston Pops: Music for Stage and Screen The Reivers: narration by Burgess Meredith. Boston Pops: It Don't Mean a Thing If It Ain't Got That Swing! With special guest Nancy Wilson The Cowboys [Original Motion Picture Soundtrack] (1972) Previously unreleased score; composed and conducted by John Williams; reissued for digital download in 2014, Varèse Sarabande. 1995 Boston Pops: Williams on Williams – Classic Spielberg Scores Sabrina [Original Motion Picture Soundtrack] A&M Records Nixon [Original Motion Picture Soundtrack] Illusion Records/Hollywood Records Composed, conducted and produced by John Williams; also issued in 1995 as "For Your Consideration" Academy promo CD, Cinergi Pictures Entertainment Inc., Cinergi Production Inc., Buena Vista Pictures Distribution Inc. 1996 Boston Pops: Summon the Heroes Also reissued as The Sound Of Glory in Europe, Sony Classical. ; Reissued for digital download in 2010, Sony Classical. E. : The Extra-Terrestrial [Original Motion Picture Soundtrack] (1982) First representation of the original score as it contains very few previously released material from the 1982 album; composed and conducted by John Williams. Sleepers [Original Motion Picture Soundtrack] 1997 Rosewood [Music from the Motion Picture] Composed, conducted and produced by John Williams; Reissued for digital download in 2016, Sony Classical. The Lost World: Jurassic Park [Original Motion Picture Score] Composed, conducted and produced by John Williams; reissued for digital download in 2012, Geffen. Seven Years in Tibet [Original Motion Picture Soundtrack] Mandalay Records Cello solos by Yo-Yo Ma; composed, conducted and produced by John Williams; reissued in 2016 as a 2-LP, Music On Vinyl. Amistad [Original Motion Picture Soundtrack] DreamWorks Composed, conducted and produced by John Williams; reissued for digital download in 2014, Geffen. Lost in Space, Vol. 1 [Original Television Soundtrack] (1965) GNP Crescendo Previously unreleased score; composed and conducted by John Williams. The Five Sacred Trees London Symphony Orchestra with Judith LeClair. The Hollywood Sound London Symphony Orchestra with Grover Washington, Jr. ; reissued in 2009 X2: The Spielberg/Williams Collaboration / The Hollywood Sound, Sony Music Distribution; Reissued for digital download in 2015, Sony Classical. 1998 Saving Private Ryan [Music from the Original Motion Picture Soundtrack] Composed, conducted and produced by John Williams; also issued for promo in 1998, DreamWorks Records; reissued for digital download in 2014, Geffen. Stepmom Sony Classical/Soundtrax Original motion picture soundtrack; guitar solos by Christopher Parkening; composed, conducted and produced by John Williams; also issued in 1998 as "For Your Consideration" Academy promo HDCD, Columbia Pictures. The Poseidon Adventure/The Paper Chase [Original Motion Picture Soundtrack] (1972/1973) Film Score Monthly Previously unreleased scores; also includes the previously unreleased "Main Title" to Conrack (1974); composed and conducted by John Williams. 1999 Star Wars: Episode I – The Phantom Menace [Original Motion Picture Soundtrack] [3] Composed, conducted and produced by John Williams; "John Williams Interview for Radio" promo CD released in 1999, Sony Classical. ; reissued in 2015 as 2-LP, I Am Shark; reissued for digital download in 2017, Walt Disney Records; Reissued in 2018, Walt Disney Records, Remastered. Angela's Ashes [Music from the Motion Picture] Narration by Andrew Bennett; conducted and produced by John Williams; also issued in 1999 as a "For Your Consideration" promo CD, but without Andrew Bennett's narration, Sony Classical. ; also released in Europe in 1999, without Andrew Bennett's narration, Decca 2000 Jaws [The Collector's Edition Soundtrack] (1975) Decca Anniversary collector's edition, previously unreleased score; composed and conducted by John Williams. A Guide for the Married Man [Original Motion Picture Soundtrack] (1967) The Patriot [Original Motion Picture Score] Centropolis Records/Hollywood Records 2001 Heartbeeps [Original Motion Picture Soundtrack] (1981) Varèse Sarabande CD Club A. I. Artificial Intelligence [Music from the Motion Picture] Warner Sunset/Warner Bros. Records Also issued as a promo 2-CD set (2001) and "For Your Consideration" Academy promo CD (2001); rereleased in 2001 as a DVD-Audio, Warner Sunset Records; composed, conducted and produced by John Williams. Harry Potter and the Sorcerer's Stone [Original Motion Picture Soundtrack] Warner Sunset/Nonesuch/Atlantic Composed, conducted and produced by John Williams; also issued in 2001 as "For Your Consideration" Academy promo CD, Atlantic; Reissued for digital download in 2005, atlantic Records; Reissued in 2018 as 2-LP, Nonesuch/Warner Sunset Records John Goldfarb, Please Come Home [Original Motion Picture Soundtrack] (1965) Treesong Deutsche Grammophon Boston Symphony Orchestra with Gil Shaham; Reissued for digital download in 2005, Deutsche Grammophon 2002 Star Wars: Episode II – Attack of the Clones [Original Motion Picture Soundtrack] [3] Composed, conducted and produced by John Williams; "John Williams: Jedi Maestro" promo CD released in 2002, Sony Classical. ; reissued in 2016 as 2-LP I Am Shark; reissued for digital download in 2017, Walt Disney Records; Reissued in 2018, Walt Disney Records, Remastered. Minority Report [Original Motion Picture Score] Catch Me If You Can [Music from the Motion Picture] Composed, conducted and produced by John Williams; also issued in 2002 as a "For Your Consideration" promo CD, DreamWorks Pictures; reissued for digital download in 2014, Geffen. American Journey: Winter Olympics 2002 International pressings exist under the title Call of the Champions; also issued as a promo CD containing radio edits and interviews with John Williams (2002). The Fury (1978) [3] The Deluxe Edition 2-CD set features the previously unreleased original score, along with the remastered original album recorded by the London Symphony Orchestra; composed and conducted by John Williams. The Man Who Loved Cat Dancing [Original Motion Picture Soundtrack] (1973) 2004 Harry Potter and the Prisoner of Azkaban [Original Motion Picture Soundtrack] Composed, conducted and produced by John Williams; also issued in 2004 as "For Your Consideration" Academy promo CD, Warner Bros; Reissued for digital download in 2005, Warner Sunset/Nonesuch/Atlantic; Reissued in 2018 as 2-LP, Nonesuch/Warner Sunset Records The Terminal [Original Motion Picture Soundtrack] Composed, conducted and produced by John Williams; also issued in 2004 as a "For Your Consideration" promo CD, DreamWorks Pictures; Reissued for digital download in 2007, Universal Fitzwilly/The Long Goodbye [Original Motion Picture Soundtrack] (1967/1973) The Long Goodbye: previously unreleased score; composed and conducted by John Williams. Penelope/Bachelor in Paradise [Original Motion Picture Soundtrack] (1966/1961) Previously unreleased original scores; Penelope's music composed and conducted by John Williams. 2005 Star Wars: Episode III – Revenge of the Sith [Original Motion Picture Soundtrack] [3] Composed, conducted and produced by John Williams; Reissued in 2016 as 2-LP, I Am Shark; Reissued for digital download in 2017, Walt Disney Records; Reissued in 2018, Walt Disney Records, Remastered. War of the Worlds [Music from the Motion Picture] Decca/Universal Composed, conducted and produced by John Williams; Also issued in 2005 as "For Your Consideration" Academy Promo CD, Paramount; Reissued for digital download in 2017, Decca Memoirs of a Geisha [Original Motion Picture Soundtrack] Cello solos by Yo-Yo Ma, violin solos by Itzhak Perlman; composed and conducted by John Williams; also issued in 2005 as "For Your Consideration" Academy Promo CD, Sony; Reissued in 2012, Sony Classical., remastered; Reissued for digital download in 2013, Sony Classical., Remastered; Reissued as 2-LP in 2016, Music On Vinyl. Munich [Original Motion Picture Soundtrack] Decca Classics Composed, conducted and produced by John Williams; also issued in 2005 as "For Your Consideration" Academy promo CD, DreamWorks/Universal; Reissued for digital download in 2005, Universal Jericho/The Ghostbreaker [Original Television Soundtrack] (1966/1965) Previously unreleased scores; The Ghostbreaker's music composed and conducted by John Williams. 2008 How to Steal a Million/Bachelor Flat (1966/1962) Intrada Special Collection 2-CD set, previously unreleased original score; composed and conducted by John Williams; Reissued for digital download in 2015 "How to Steal a Million - OST" & "How to Steal a Million - The Film Recordings", TP4 Music Indiana Jones and the Kingdom of the Crystal Skull [Original Motion Picture Soundtrack] Concord Records Composed, conducted and produced by John Williams; Reissued for digital download in 2008, Concord Music Group 2010 Black Sunday [Music from the Motion Picture] (1977) Previously unreleased score; reissued on 2xLP in 2015, Mondo Records; reissued for digital download in 2016, La-La Land Records. Family Plot (1976) 2011 Midway [Original Motion Picture Soundtrack] (1976) Previously unreleased score; composed by John Williams; co-conducted by John Williams and Robert O. Ragland. Not With My Wife, You Don't, Vol. 2 — Original Soundtrack (1966) Previously unreleased original score; composed and conducted by John Williams. Nightwatch/Killer by Night [Original Television Soundtrack] (1965/1972) Previously unreleased scores; Nighwatch's music composed and conducted by John Williams. The Adventures of Tintin: The Secret of the Unicorn [Music from the Motion Picture] Composed, conducted and produced by John Williams; Reissued for digital download in 2011, Sony Classical. ; Also issued in 2011 as a "For Your Consideration" promo CD, Paramount Pictures; reissued in 2018 as 2-LP, Music On Vinyl. War Horse [Original Motion Picture Soundtrack] Composed, conducted and produced by John Williams; Reissued for digital download in 2011, Sony Classical. ; Also issued in 2011 as a "For Your Consideration" promo CD, DreamWorks II Distribution Co. 2012 Lincoln [Original Motion Picture Soundtrack] Composed and conducted by John Williams; Reissued for digital download in 2012, Sony Classical. ; Also issued in 2012 as a "For Your Consideration" promo CD, DreamWorks II Distribution Co. ; reissued in 2017 as 2-LP, Music On Vinyl. 2013 The Missouri Breaks [An Original MGM Motion Picture Soundtrack] (1976) Kritzerland Records 2-CD set, previously unreleased original score; composed and conducted by John Williams. Fitzwilly – Special Archival Edition [Original MGM Motion Picture Soundtrack] (1967) Music Box Records The Book Thief [Original Motion Picture Soundtrack] Sony Masterworks Composed, conducted and produced by John Williams; Reissued for digital download in 2013, Sony Classical. ; Also issued in 2013 as a "For Your Consideration" promo CD, Twentieth Century Fox. 2015 Star Wars: The Force Awakens [Original Motion Picture Soundtrack] Walt Disney Records Composed by John Williams; co-conducted by John Williams, William Ross and Gustavo Dudamel; also released in 2015 as a Target Edition and for digital download; also issued in 2015 as a "For Your Consideration" Academy promo album available on CD and for downloading, Walt Disney Records; reissued in 2016 as 2-LP, Walt Disney Records; reissued in 2016 as 2-LP "Hologram vinyl", Walt Disney Records; reissued in 2017 as 2-LP Limited Collector's Edition with 4 collectable covers, I Am Shark; Reissued for digital download in 2018, Lucasfilm. 2016 The BFG [Original Motion Picture Soundtrack] Composed and conducted by John Williams; Reissued for digital download in 2016, Disney; Also issued in 2016 as a "For Your Consideration" Academy promo album available on CD, Walt Disney Records 2017 The Spielberg/Williams Collaboration Part III Digital release; composed and conducted by John Williams; Reissued for digital download in 2017, Sony Classical. Stanley & Iris: The Deluxe Edition/Pete 'n' Tillie [Original Motion Picture Soundtrack] (1990/1972) Stanley & Iris: includes previously unreleased material; Pete 'n' Tillie: previously unreleased score; composed and conducted by John Williams. Star Wars: The Last Jedi [Original Motion Picture Soundtrack] Composed and produced by John Williams; co-conducted by John Williams, William Ross and Gustavo Dudamel; Walt Disney Records; Reissued for digital download in 2017, Lucasfilm; Also issued in 2017 as a "For Your Consideration" Academy promo album available on CD and for downloading, Walt Disney Records; reissued in 2018 as 2-LP, Walt Disney Records. The Post [Original Motion Picture Soundtrack] Composed and conducted by John Williams; Reissued for digital download in 2017, Sony Classical. ; Also issued in 2017 as a "For Your Consideration" promo CD, Sony; reissued in 2018 as LP, Music On Vinyl. 2019 Disaster Movie Soundtrack Collection - Music by John Williams: The Poseidon Adventure (1972) / The Towering Inferno (1974) / Earthquake (1974) La-La Land Records Composed, conducted and produced by John Williams; Contains previously unreleased material; Earthquake: Previously unreleased original score. Star Wars: The Rise of Skywalker [Original Motion Picture Soundtrack] Composed, conducted and produced by John Williams; Walt Disney Records; Also issued in 2019 as a "For Your Consideration" Academy promo album available on CD and for downloading, Walt Disney Records. This section features expanded reissue albums of already released scores. Other artist(s) Notes 1956 Calypso Harry Belafonte Featuring John T. Williams (piano) (uncredited); RCA Victor; reissued in 1992, RCA; reissued in the 2014 compilation Calypso/Belafonte Sings The Caribbean, Jackpot Records. The Johnny Ever Green's Played by Russell Garcia Russell Garcia Featuring John T. Williams (piano); Paramount Records; reissued for digital download in 2012, Smith & Co. Listen To The Music Of Russell Garcia Featuring John T. Williams (piano); reissued in the 2005 compilation Los Angeles River, Fresh Sound Records. Remembering with Marjorie Lee Marjorie Lee Arrangements by John T. Williams (piano); BeauMonde; reissued in 1989, Fresh Sound Records. Yvonne De Carlo Sings Yvonne De Carlo Orchestra conducted by John Williams; Masterseal Records; reissued in 2010, Screenland Records; reissued for digital download in 2011, Smith & Co. Holiday in Spain Lew Raymond Featuring John T. Williams (piano): Malaguena, Gitanerias; Top Records. Connie Haines sings a tribute to Helen Morgan Connie Haines Featuring John T. Williams (piano); Tops Records; Reissued in 1997 + Extra track, Simitar; Reissued in 2002, LPTime Records/Spain. Porgy & Bess "Porgy & Bess" Broadway cast Arranged and conducted by Johnny T. Williams, The Hollywood Grand Studio Orchestra; performed by Bill Reeves, Norma Zimmer, Bill Lee, Mami Nixon and Earl Wilki; Tops Records; Reissued in stereo on Golden Tone; The Big Small Bands Dave Pell Featuring Johnny Williams (piano) (organ); Capitol; reissued in the 2011 compilation Remembers John Kirby/The Big Small Bands, Fresh Sounds Records. Modern Jazz Gallery Various Artists Some tracks with John T. Williams Quartet; Kapp Records, 2 LP. Sweet Smell of Success Elmer Bernstein Featuring John Williams (piano); music composed and conducted by Elmer Bernstein; Decca; reissued in 2008, Cherry Red Records; reissued in 2008, Fresh Sound Records. 1958 South Pacific Walter Ruick Featuring John T. Williams (piano); Tops Records. Alfred Newman Featuring John Williams (piano); RCA Victor; reissued in 2000, RCA; reissued in 2010, Hallmark. Funny Face Adolph Deutsch Featuring John Williams (piano); Verve; reissued in 1996, Verve; reissued in 2008, Hallmark; reissued in 2017 with previously unreleased material 60th Anniversary Edition, Verve. Bell, Book and Candle George Duning Featuring John Williams (piano); Paramount; reissued in the 2006 compilation Bell, Book and Candle/1001 Arabian Nights, Film Score Monthly. Johnny Desmond Swings Johnny Desmond Featuring John Williams (piano); Tops Records; Reissued in 1997, Simitar Distribution; Reissued for digital download in 2006, TP4 Music. The Music from Peter Gunn Henry Mancini Featuring Johnny T. Williams (piano); RCA Victor; reissued in 1958, RCA Victor; reissued in 1958, RCA Victor; reissued in 1999, Buddha Records; reissued in 2000, BMG; reissued in 2003, RCA Victor; Reissued for digital download in 2006, TP4 Music Fielding's Formula Jerry Fielding Featuring John T. Williams (piano); Decca; reissued for digital download in 2009, Mastercorp Pty Ltd. Hollywoodwind Jazztet Featuring John T. Williams (piano); Decca. God's Little Acre Composed and Conducted by Elmer Bernstein; featuring Johnny Williams (piano); United Artists Records; reissued in 2009, Kritzerland Records. The Big Country Jerome Moross Featuring John Williams (piano); RCA; reissued in 1991, Screen Archives Entertainment; reissued in 1995, Silva America; reissued in 2007, La-La land Records; reissued in 2008, MGM Records. 1959 Voodoo Exotic Music From Polynesia And The Far East Robert Drasnin Featuring John Williams (piano); Tops Records; Reissued in 1960 as Percussion Exotique, Stereo, Tops Mayfair Records; Reissued on CD in 1996 as Voodoo, Dionysus Records. Folk Songs for Far Out Folk Fred Katz Featuring Johnny T. Williams (piano); Warner Bros. ; reissued in 2007, Reebot Stereophonic Records. At the Cinema! Buddy Collette Featuring John Williams (piano); Mercury; reissued in 2010, Fresh Sounds Records. Album No. 1 James Darren Some tracks arranged and conducted by Johnny Williams, Colpix Records. African jazz Les Baxter Featuring Johnny Williams (piano); Capitol; reissued in 2015, African Jazz + Jungle Jazz (2 LPs on 1 CD) + 5 bonus tracks, Fresh Sounds Records. Jungle jazz Featuring Johnny Williams (piano); Capitol; reissued in 2015 African Jazz + Jungle Jazz (2 LPs on 1 CD) + 5 bonus tracks, Fresh Sounds Records. Sound Spectacular Ray Anthony Featuring Johnny Williams (piano); Capitol; Released in 1959, Capitol, Stereo; Reissued in 1968 as "Brass Galore", Aero Space Records, Stereo. Staccato Featuring John Williams (piano); Capitol; reissued in 2008, DRG Records. Mr. Lucky Featuring John Williams (piano); RCA; reissued in 1989, RCA; reissued in 2011, Fresh Sound Records. Porgy and Bess André Previn Featuring John Williams (piano); Columbia; reissued in 1995, Back Bitter (Germany); reissued in 2010, Hallmark. Some Like It Hot Featuring John Williams (piano); United Artists; reissued in 1997, Ryko; reissued in 2004, Varèse Sarabande. The Music from M Squad Stanley Wilson Music Composed & Arranged by Benny Carter, Pete Carpenter and John Williams (piano); music conducted by Stanley Wilson; Phantom Records (England); reissued in 1996, RCA. More Music from Peter Gunn Featuring Johnny T. Williams (piano); RCA Victor; reissued in 1995 & 2003, RCA Victor. Take Me Along Marty Paich Featuring Johnny Williams (piano); RCA Victor; reissued for digital download in 2012, Hot Record Society. I Swing for You Vicky Lane Conducted by Pete Candoli; featuring Johnny Williams (piano); RCA Victor. I Remember John Kirby Featuring Johnny Williams (piano) (organ); P. R. ; reissued in the 2011 compilation Remembers John Kirby/The Big Small Bands, Fresh Sounds Records. The Mancini Touch Conducted by Henry Mancini; featuring Johnny Williams (piano); RCA Victor; reissued in 2010, Fresh Sound Records. 10 Trombones Like 2 Pianos Pete Rugolo Featuring John T. Williams (piano); Mercury; reissued in the 2007 compilation Exploring New Sounds, Fresh Sound Records. Shotgun Slade - The Original Jazz Score Music composed and arranged by Gerald Fried; featuring Johnny Williams (piano); Mercury; reissued in 2016, Shotgun Slade + Burke's Law (2 LPs on 1 CD), Fresh Sound Records. Dave Pell Plays Lawrence Welk's Big Band Sounds Featuring Johnny Williams (piano) (organ); P. I. The Apartment Featuring John Williams (piano); United Artists; reissued in 2009, Kritzerland. The Blues and the Beat Featuring Johnny Williams (piano); RCA Victor; reissued in 1995, RCA. Pam Garner Sings Ballads for Broken Hearts Pam Garner Orchestra conducted by John Williams; Columbia; reissued for digital download in 2012, Vintage Masters Inc. For Pete's Sake Pete Candoli Featuring Johnny Williams (piano); Kapp Records. Bottoms Up George Roberts Conducted and Arranged by John T. Williams (piano); Columbia; reissued in the 2011 compilation Meet Mr. Roberts/Bottoms Up, Fresh Sound Records. I Believe Mahalia Jackson Orchestra & Chorus conducted by Johnny Williams; Columbia. Lush, Latin & Cool Featuring Johnny Williams (piano); RCA Victor; reissued in 1998, RCA. West Side Story Leonard Bernstein Featuring John Williams (piano); Columbia; reissued in 1992, Sony Masterworks; reissued in 2004, Sony Classical/Legacy. Combo! Conducted by Henry Mancini; featuring Johnny Williams (piano) (harpsichord); RCA Victor; reissued in 2007, Sony. Hell Bent for Leather! Frankie Laine Orchestra and chorus conducted by Johnny Williams; Columbia; reissued for digital download in 2012, Marathon Media International Ltd. Deuces Wild Orchestra and chorus conducted by Johnny Williams; Columbia; reissued for digital download in 2013, Smith & Co. Everytime I Feel the Spirit Orchestra and chorus conducted by Johnny Williams; Columbia; reissued for digital download in 2013, BNF Collection. 1962 Young and Lively Vic Damone Music Conducted Johnny Williams; Columbia; re-released in 1962, Columbia, Stereo; reissued in the 1996 compilation That Towering Feeling! /Young and Lively, Columbia; reissued for digital download in 2012, Hot Records Society. Hemingway's Adventures of a Young Man Franz Waxman Featuring John Williams (piano); RCA; reissued in 1985, Label X (Australia); reissued in the 2017 compilation Peyton Place/Hemingway's Adventures of a Young Man, La-La Land Records Call of the Wild Orchestra and chorus conducted by Johnny Williams; Columbia; CBS; reissued for digital download in 2013, Smith & Co. Great Songs of Love and Faith Orchestra and chorus conducted by Johnny Williams; Columbia; reissued for digital download in 2013, Marathon Media International Ltd. Songs for Christmas: Silent Night Orchestra and chorus conducted by Johnny Williams; Columbia; reissued in 2008, Sony. There Is Nothing Like a Dame Featuring John Williams (piano) on some tracks; Warner Bros. Records. So Nice! Arranged, conducted by Johnny T. Williams (piano); reissued for digital download in 2010, Screenland Records. Wanderlust Orchestra and chorus conducted by Johnny Williams; Columbia; CBS; reissued in 2015, Sony Mod. André Previn in Hollywood Featuring André Previn (piano); arrangements and musical direction by Johnny Williams; CBS; reissued in the 2014 compilation André Previn in Hollywood/Soft and Swinging, Vocalion. 1964 My Fair Lady with the Un-original Cast Shelly Manne Performed by Shelly Manne, His Men and Orchestra; arrangements and musical direction by Johnny Williams; Capitol Records; released in 1964, Capitol Records, Stereo. Sound Stage! Big band under the direction of Johnny Williams; CBS; reissued in 1976 The Jazz Piano of André Previn, Embassy Records; reissued in 2014, Vocalion. 1965 Manne–That's Gershwin! Musical direction by Johnny Williams; Capitol Records; reissued in 1984, with musical direction by John T. Williams, Discovery Records. The Magnificent Seven Featuring John Williams (piano); United Artists; reissued in 1995, Tsunami; reissued in 1998, Rykodisc; Reissued in 2004, Colosseum VSD & Varèse Sarabande. Here Comes Inspiration Paul Williams "Dream Away" Composed by Paul Williams & J. Williams; Arranged and Conducted by John Williams; A&M Records Serge Prokofiev: Sonata for Cello & Piano; David Ward-Steinman: Duo for Cello & Piano Edgar Lustgarten Featuring Edgar Lustgarten (cello) and John Williams (piano); reissued in 2006, Music for Cello and Piano by Sergei Prokofiev & David Ward-Steinman, Orion; reissued for digital download in 2007, Marquis Classics. Yes, Giorgio Luciano Pavarotti Song "If We Were In Love" written by Alan and Marilyn Bergman/John Williams; orchestra conducted by Emerson Buckley and John Williams, London; reissued in 2004, Decca. The Official Music of the 1984 Games CBS; also reissued as The Official Music of the XXIIIrd Olympiad Los Angeles 1984, CBS; reissued on CD in 1984, CBS/Sony/Japan. With a Song in My Heart Jessye Norman John Williams/Boston Pops, Philips; Love Is Here To Stay: featuring John Williams (piano); reissued for digital download in 2014, Decca. 1988 Summer Olympics Album: One Moment in Time Featuring an edited version of Olympic Spirit, the complete version is yet to be released; Arista Lucky to Be Me Featuring John Williams (piano); Philips. Lost in Space, Vol. 2 [Original Television Soundtrack] Previously unreleased score (1967); GNP Crescendo. Land of the Giants Previously unreleased scores (1968/1969); GNP Crescendo. Cinema Serenade Itzhak Perlman Pittsburgh Symphony Orchestra conducted by John Williams, Sony Classical; reissued in 2011 as K2 HD CD, Sony Classical; reissued as a SACD in 2015, Sony Classical The Time Tunnel Previously unreleased score (1966); GNP Crescendo. Gershwin Fantasy Joshua Bell London Symphony Orchestra conducted by John Williams, Sony Classical; featuring John Williams (piano): Three Preludes; reissued in 2009 X2 Joshua Bell: Bernstein - Gershwin, Sony. Keisuke Wakao plays music of John Williams Keisuke Wakao Featuring John Williams (piano): The Days Between... ; Denon. Cinema Serenade 2: The Golden Age Boston Pops Orchestra conducted by John Williams, Sony Classical. Twilight Zone Previously unreleased scores (1959-1964); featuring John Williams (piano); 4-CD set, Silva Treasury. Lost in Space, Vol. 3 [Original Television Soundtrack] Previously unreleased scores (1965-1968); GNP Crescendo. Studs Lonigan Jerry Goldsmith OST (1960); featuring John Williams (piano), Varèse Sarabande; reissued in 2011, Quartet Records. Yo-Yo Ma Plays the Music of John Williams Yo-Yo Ma Recording Arts Orchestra of Los Angeles conducted by John Williams; Sony Classical; reissued in 2012, Sony Classical, remastered; reissued as a SACD in 2016, Sony Classical; Reissued in 2017 as 2-LP, Music On Vinyl. John Williams Clarinet Concerto Michele Zukovsky Clarinet Concerto: Los Angeles Philharmonic conducted by John Williams, recorded in 1991; David Blumberg Artists; reissued for digital download in 2010, Michele Zukovsky. 2006 Amazing Stories - Anthology 1 Previously unreleased scores (1985-1987); some tracks composed and conducted by John Williams; Intrada. Amazing Stories - Anthology 2 2007 Amazing Stories - Anthology 3 2009 None But the Brave Morris Stoloff Previously unreleased score (1965); music by John Williams, conducted by Morris Stoloff; featuring John Williams (piano): Piano Theme bonus track; Film Score Monthly, FSM Vol. 12 No. 12. Johhny Mercer: The Dream's on Me Aura McDonald Featuring John Williams (piano): I Had Myself a True Love, TCM. TV Omnibus: Volume One (1962-1976) Contains the previously unreleased score from The Eleventh Hour: The Bronze Locust (1963), music composed and conducted by Johnny Williams; Film Score Monthly, Vol. 13, No. 13. City of Fear Previously unreleased score (1959); featuring John Williams (piano); Columbia; Intrada Special Collection. Music from Angela's Ashes Frank McCourt Music composed and conducted by John Williams/Boston Pops Orchestra, recorded live at Koussevitzky Music Shed, August 5, 2000; digital download, BSO release. Lerner and Loewe: "My Fair Lady", arranged for singers and jazz orchestra by John Williams Dianne Reeves and Brian Stokes Mitchell; conducted by John Williams/The Tanglewood Big Band Ensemble, recorded live at Seiji Ozawa Hall, August 9, 2004; digital download, BSO release. James Taylor And Friends James Taylor Conducted by John Williams/Boston Pops Esplanade Orchestra, recorded live at Koussevitzky Music Shed, August 30, 2009; digital download, BSO release. We'll Paint You a Rainbow Christine Brewer Somewhere Over the Rainbow conducted by John Williams. 2014 The Glenn Dicterow Collection Glenn Dicterow Glenn Dicterow, violin: Schindler's List: Main Theme recorded live, composed and conducted by John Williams; New York Philharmonic Thunder Road - The Film Music of Jack Marshall Jack Marshall Previously unreleased original scores from Thunder Road (1958), Take a Giant Step (1959) and The Rabbit Trap (1959); Thunder Road: featuring John Williams (piano); La-La Land Records 2018 Solo: A Star Wars Story [Original Motion Picture Soundtrack] John Powell Music composed and conducted by John Powell, except The Adventures of Han composed and conducted by John Williams; Original Star Wars music by John Williams. Superman II & III: Limited Edition Ken Thorne Some source tracks composed and conducted by John Williams; La-La Lands Records. Land of the Giants 50th Anniversary Soundtrack Collection: Limited Edition Some tracks composed and conducted by John Williams; La-La Lands Records. Hooten Plays Williams Thomas Hooten Music composed and conducted by John Williams/Recording Arts Orchestra of Los Angeles; Thomas Hooten. Across The Stars Anne-Sophie Mutter Music composed and conducted by John Williams/Recording Arts Orchestra of Los Angeles; Also released as a CD+DVD Deluxe Edition containing 5 bonus tracks; Deutsche Grammophon. For reasons of relevance, this section deliberately excludes audiobooks. Over one hundred Star Wars audio books have been published since the 1990s, and most of them use the original music composed and performed by John Williams. The Story of Star Wars: From the Original Soundtrack Original music from the motion picture composed and performed by John Williams; 20th Century Fox Records; reissued in 1977, Buena Vista Records; international releases in French, Spanish, German and Japanese. The Empire Strikes Back: The Adventures Of Luke Skywalker Original music from the motion picture composed and performed by John Williams; RSO; reissued in 1980 The Story Of The Empire Strikes Back, Star Wars - The Empire Strikes Back, Buena Vista Records; International releases in French, Spanish and German. Raiders Of The Lost Ark: The Movie On Record Original music from the motion picture composed and performed by John Williams; Columbia; international release in French. E. the Extra-Terrestrial Michael Jackson Original music from the motion picture composed and performed by John Williams; storybook narrated by Michael Jackson; MCA Records. The Story of Return of the Jedi Original music from the motion picture composed and performed by John Williams; Buena Vista Records; reissued in 1983, Star Wars - Return of the Jedi, Buena Vista Records; international releases in French, Spanish and German. The Story Of Indiana Jones And The Temple Of Doom Original music from the motion picture composed and performed by John Williams; Buena Vista Records; reissued in 1984, Indiana Jones And The Temple Of Doom, Buena Vista Records; international release in French. The Story Of Indiana Jones And The Last Crusade Original music from the motion picture composed and performed by John Williams; Buena Vista Records; international release in French. The Original Radio Drama: Star Wars Original music from the motion picture composed and performed by John Williams; 7-CD set, National Public Radio; reissued in 2013, Star Wars: A New Hope – The Original Radio Drama, Topps 'Light Side' Collector's Edition, Star Wars: A New Hope – The Original Radio Drama, Topps 'Dark Side' Collector's Edition, HighBridge Audio. The Original Radio Drama: The Empire Strikes Back Original music from the motion picture composed and performed by John Williams; 5-CD set, National Public Radio. The Original Radio Drama: Return of the Jedi Original music from the motion picture composed and performed by John Williams; 3-CD set, National Public Radio. Star Wars: The Collector's Limited Edition Trilogy Original music from the motion picture composed and performed by John Williams; The Original Radio Drama (15-CD set), HighBridge Audio, Compilation; reissued in 2007, Star Wars: The Complete Trilogy (15-CD), HighBridge Audio, Compilation. Star Wars: Crimson Empire Original music from the motion picture composed and performed by John Williams; audio drama (2-CD); contains the unreleased longer version of the Finale from The Empire Strikes Back; HighBridge Company. Title(s) "Theme From 'Checkmate'" Twelve Big Hits! Composed and conducted by Johnny Williams; Columbia. "Main Title (Theme From Jaws)", "Flying (From E. T., The Extra-Terrestrial)", "The River (From The River)", "Over The Moon (From E. T., The Extra-Terrestrial)". Movie Greats Some tracks composed and conducted by John Williams; MCA. "Maria", "The Second Time Around", "The Pleasure Of Her Company" On The Street Where You Live: Vic Damone's Best With Vic Damone; some tracks conducted by John Williams, CBS. "Jerom Kern: Very warm for May", "Richard Rodgers: Spring is here", "George Gershwin: Love is here to stay", "Cole Porter: In the still of the night" The Jessye Norman Collection With Jessye Norman; some tracks conducted by John Williams/Boston Pops, Philips. "Born on the Fourth of July (remix)" Reel Music (Soundtrack Sampler From MCA) Composed and conducted by John Williams; MCA, 2-CD promo compilation. "Love is here to stay" Classics With Jessye Norman; John Williams, piano, Philips. "Somewhere In My Memory", "Merry Christmas, Merry Christmas", "Christmas Star" Home Alone 2 Lost In New York - Original Soundtrack Album Some tracks composed and conducted by John Williams; "Somewhere In My Memory" performed by Bette Midler; Arista/BMG Special Products. "Fanfare for the Common Man", "West Side Story: Selection", "A String of Pearls" Great Concert Halls of the World: Symphony Hall, Boston Some tracks conducted by John Williams/Boston Pops, Philips. "Somewhere In My Memory", "Merry Christmas, Merry Christmas", "Carol Of The Bells" Home Alone Christmas Some tracks composed and conducted by John Williams; Arista/BMG Special Products. "Candide: Make our garden grow" Greatest Hits - Bernstein Conducted by John Williams/Boston Pops Orchestra, Sony. "The Washington Post March", "Colonel Bogey March", "The Raider's March from Raiders of the Lost Ark", etc. Marches - Greatest Hits Some tracks composed and conducted by John Williams/Boston Pops Orchestra, Sony. "Strike up the band" Gershwin - Greatest Hits The Jazz Sound From Peter Gunn With Henry Mancini; Johnny T. Williams, piano, Fresh Sound Records. "Maid With The Flaxen Hair", "Suite bergamasque - Clair de lune" Debussy For Daydreaming Conducted by John Williams/Boston Pops Orchestra, Philips. "Simple Gifts" Ballet - Greatest Hits "Copland: Fanfare For The Common Man", "Gould: American Salute", "America, The Beautiful", etc. Boston Pops: America the Beautiful Some tracks conducted by John Williams/Boston Pops Orchestra, Philips; reissued for digital download in 2014, Decca. Quiet Music for Quiet Times "The Flying Theme (E. )", "We're Off To See The Wizard", "When You Wish Upon A Star", etc. Boston Pops: Wish Upon a Star Some tracks composed and conducted by John Williams/Boston Pops Orchestra, Philips. "Theme from Lost in Space, The Time Tunnel, The Land of Giants, etc. " The Fantasy Worlds of Irwin Allen [Original Television Soundtracks] 6-CD, some tracks composed and conducted by John Williams, GNP Crescendo. The Fantasy Worlds of Irwin Allen: Special Bonus Disc Some tracks composed and conducted by John Williams, GNP Crescendo. "Superman - Love Theme", etc. Boston Pops: Romance Classics "NBC News Theme (a. k. a The Mission)", etc. The Music of NBC News Volume II Some tracks composed and conducted by John Williams; NBC News, Promo CD. "Sleigh Ride", "We Wish You a Merry Christmas" I'll Be Home For Christmas Some tracks conducted by John Williams/Boston Pops Orchestra; Sony. "End Credits & End Titles (from Family Plot)" Alfred Hitchcock Presents... Signatures in Suspense Composed and conducted by John Williams; Hip-O Records. "2001: A Space Odyssey (Also Sprach Zarathustra-Intro)", "Star Wars (Main Title)", "Jaws: Main Title (Theme)", etc. Reel Blockbusters Some tracks composed and conducted by John Williams; Hip-O Records. "Adventures of Robin Hood: Robin Hood and His Merry Men", "Star Wars, Episode 4 - A New Hope: Main Theme", "Star Wars, Episode 5 - The Empire Strikes Back: The Imperial March" Music In Film Some tracks composed and conducted by John Williams; Sony Classical. "Saving Private Ryan: Hymn To The Fallen" Critic's Choice: Leonard Maltin's Best Movie Themes of the '90s Composed and conducted by John Williams; Atlantic. The Music of NBC News 2000 Some tracks composed and conducted by John Williams; NBC News, promo CD. "Presumed Innocent: End Credits", "Stanley & Iris: End Credits", "The Cowboys: Main Title" Great Composers: John Williams Some tracks conducted by John Williams; Varèse Sarabande. Don't Make Waves/Penelope Penelope's music composed and conducted by John Williams (1966); Chapter III. Music from M Squad/The Music From Mickey Spillane's 'Mike Hammer' With Stanley Wilson; M Squad: some tracks composed by John Williams (p); Collectables Records; reissued in 2014, Fresh Sound Records. "American Collection Theme" Classic Yo-Yo With Yo-Yo Ma; previously unreleased recording with the Recording Arts Orchestra of Los Angeles; Sony Classical. "Schindler's List: Main Theme", "Now, Voyager: Main Theme", "Four Horsemen of the Apocalypse: Main Theme", etc. Classic Perlman: Rhapsody With Itzhak Perlman; some tracks composed and conducted by John Williams; Sony Classical. " Saving Private Ryan - Hymn to the Fallen", " Raiders of the Lost Ark - Raiders of the Lost Ark" Paramount Pictures' 90th Anniversary Memorable Scores "Battle Hymn Of The Republic", "Gould-American Salute" Mark Twain's America Some tracks conducted by John Williams; Decca. "Sabrina: End Credits" Great Movie Love Themes Composed and conducted by John Williams; Varèse Sarabande. 2003 "Stanley & Iris: End Credits" Varèse Sarabande: A 25th Anniversary Celebration "Presumed Innocent: End Credits" Varese Sarabande: A 25th Anniversary Celebration, Vol. 2 "Across The Stars (from Star Wars Episode II)" Classics For A New Century Composed and conducted by John Williams; Sony. "La fille aux cheveux de lin" Debussy - Greatest Hits Conducted by John Williams/Boston Pops Orchestra, Decca. "America The Beautiful", "This Land Is Your Land", "Liberty Fanfare" Enduring Freedom - America's Greatest Hits Some tracks composed and conducted by John Williams/Boston Pops Orchestra, Decca. "Because", "Whither Thou Goest", "Trees", etc. Come on Children, Let's Sing/Great Songs of Love and Faith With Mahalia Jackson; some tracks Conducted by John Williams, Sony. "Strike up the Band" Gershwin: Strike Up the Band; Piano Concerto in F; Three Preludes; etc. Conducted by John Williams/Boston Pops Orchestra, Universal Classics. "This Land Is Your Land", "American Salute" America's Greatest Hits Some tracks conducted by John Williams/Boston Pops Orchestra, Universal. Gershwin Without Words "Gershwin: Strike Up The Band", "Gershwin: Selections From 'Girl Crazy'" Some tracks conducted by John Williams/Boston Pops Orchestra, Decca. Lost in Space 40th Anniversary Edition Some tracks composed and conducted by John Williams; La-La Land Records. "Falling in Love With Love", "In the Still of the Night", "Spring Is Here", etc. The Jessye Norman Collection - The Songbooks With Jessye Norman; including the albums With a Song in My Heart & Lucky to Be Me; conducted and performed by John Williams/Boston Pops; Phillips. "Old and Lost Rivers" Classical Cuisine - American Barbeque Conducted by John Williams/London Symphony Orchestra, Sony. "Worry-go-round", "The boy next door", "Body and soul", "Out of nowhere", "Coquette" Don Fagerquist: Portrait Of A Great Jazz Artist With Russell Garcia and His Orchestra; John Williams, piano; Fresh Sound Records. Los Angeles River With Russell Garcia and His Orchestra; piano on some tracks: John Williams; Fresh Sound Records. "Star Wars, Episode IV – A New Hope: Main Title", "E. The Extra-Terrestrial: Flying Theme", "Jaws: Theme", "Close Encounters of the Third Kind: The Dialogue" The Essential Hollywood Some tracks by John Williams & The London Symphony Orchestra; Sony Classical. "Fantasy for violin & orchestra on Porgy and Bess", "Preludes (3) for piano", "I Got Rhythm", etc. The Joshua Bell Collection With Joshua Bell; including the 1998 album Gershwin Fantasy conducted and performed by John Williams/London Symphony Orchestra; Sony Classical. Not With My Wife, You Don't! /Any Wednesday Not With My Wife, You Don't! : music composed and conducted by John Williams; Film Score Monthly. Diamond Head/Gone With the Wave Diamond Head's music composed and conducted by John Williams; Film Score Monthly. Bell, Book and Candle/1001 Arabian Nights With George Duning; piano on Bell, Book and Candle: John Williams; Film Score Monthly. "Home Alone: Holiday Flight", "Home Alone: The House" Fox Music: Top Shelf Library 5-CD; Fox Music. "With a song in my heart" Between Love And Loss With Jessye Norman; conducted by John Williams/Boston Pops, Philips. "Allegro ben ritmato e deciso from Three Preludes", "Nice Work If You Can Get It", "I Got Rhythm", "Love Is Here To Stay" The Essential Joshua Bell With Joshua Bell; excerpts from the 1998 album Gershwin Fantasy conducted and performed by John Williams/London Symphony Orchestra, Sony Classical. "We wish you a merry Christmas" The Ultimate Classical Christmas Conducted by John Williams/Boston Pops Orchestra; Sony. "Going to School" Appassionato With Yo-Yo Ma; composed and accompanied on the piano by John Williams; Sony Classical. Exploring New Sounds With Pete Rugolo and His Orchestra; piano on some tracks: John T. Williams; Fresh Sound Records. "Theme From Superman", "Prelude and Main Title", "The Planet Krypton", etc. Superman: The Music [3] 8-CD set, includes previously unreleased material; Superman: The Movie - music composed and conducted by John Williams; Superman II - music composed and conducted by Ken Thorne, from original material Composed by John Williams; Superman III - music composed and conducted by Ken Thorne, original Superman themes by John Williams; Superman IV: The Quest for Peace - music by John Williams, adapted and conducted by Alexander Courage; Film Score Monthly. "Memoirs of a Geisha Suite" Yo-Yo Ma - 30 Years Outside the Box With Yo-Yo Ma; previously unreleased performance recorded live in 2008, with the Chicago Symphony Orchestra conducted by John Williams; Sony. Honor! A celebration of the African American Cultural Legacy With Jessye Norman; conducted by John Williams/Boston Pops, Decca. "Theme From Superman" The Music Of DC Comics: 75th Anniversary Collection Composed and conducted by John Williams, WaterTower Music "The Poseidon Adventure: Main Title", "The Paper Chase: End Title", "Conrack: Main Title", "The Fury: For Gillian/End Title" 20th Century Fox: 75 Years of Great Film Music Some tracks composed and conducted by John Williams; Colosseum/Varèse Sarabande. "Jaws: Main Titles/First Victim Theme" Creepy Classics: Halloween's Greatest Hits Composed and conducted by John Williams, Deutsche Grammophon. "Out of Africa: Love Theme", "Star Wars: Princess Leia's Theme" Classic Love At The Movies "This Land Is Your Land", "Copland: Rodeo - Hoe-Down", "Gould: American Salute", "America, The Beautiful" Celebrate America - Songs for the 4th of July Remembers John Kirby/The Big Small Bands With Dave Pell; piano and organ on The Big Small Bands: Johnny Williams; Fresh Sound Records. Meet Mr. Roberts/Bottoms Up With George Roberts And His Big Bass Trombone; Bottoms Up: conducted and arranged by John T. Williams (p); Fresh Sound Records. "Seven Years in Tibet" Impressions With Yo-Yo Ma; composed and conducted by John Williams; Sony Classical; reissued in 2012, Sony Classical, remastered "Les parapluies de Cherbourg: I Will Wait for You", "Henry V: Orchestral Suite - no 4, Touch her soft lips and part", "Modern Times: Smile", etc. Concertos, Sonatas and more... André Previn in Hollywood/Soft and Swinging With André Previn; André Previn in Hollywood: arrangements and musical direction by Johnny Williams; Vocalion. Calypso/Belafonte Sings The Caribbean With Harry Belafonte; piano on Calypso: John T. Williams (uncredited); Jackpot Records. "Little David Play On Your Harp", "The Love Of God", "I Want To Be A Christian", etc. Complete Mahalia Jackson Vol. 12 - 1961 With Mahalia Jackson; including the 1962 album Everytime I Feel The Spirit conducted by John Williams, Fremeaux & Associes. Johnny Staccato/The Man With The Golden Arm With Elmer Bernstein; Staccato: featuring John Williams (p); Fresh Sound Records. Lost in Space 50th Anniversary Soundtrack Collection 12-CD set, includes previously unreleased material; aome tracks composed and conducted by John Williams; other music by Hans J. Salter, Herman Stein, Richard LaSalle, Frank Comstock, Fred Steiner, Jeff Alexander, Warren Barker, Leith Stevens, Alexander Courage, Robert Drasnin, Cyril J. Mockridge, Gerald Fried, Pete Rugolo and Joseph Mullendore; La-La Land Records. Checkmate/Hong Kong With Lionel Newman; "Checkmate" tracks composed and conducted by Johnny Williams; Fresh Sound Records. Rhythm in Motion/So Nice! with Johnny Desmond With Johnny Desmond; music arranged and conducted by Johnny Williams; some tracks featuring Johnny Williams (p); three bonus tracks composed and performed by Johnny Williams: "Tuesday's Theme"; "The Black Knight"; "Augie's Great Piano"; Fresh Sound Records. "The Flying Sequence / Can You Read My Mind (Feat. Margot Kidder)", "Lex Luthor's Lair" The Music Of DC Comics: Volume 2 "Olympic Hymn" Bernstein: Chamber & Concert Music Leonard Bernstein: The Composer "Theme (from Sugarland Express)" The Real... Toots Thielemans With Toots Thielemans; conducted by John Williams/Boston Pops Orchestra; Legacy Recordings. Peyton Place/Hemingway's Adventures of a Young Man With Franz Waxman; Hemingway's Adventures of a Young Man: featuring Johnny Williams (p); La-La Land Records "Treesong", "Concerto for Violin and Orchestra", "Three Pieces from Schindler's List for Solo Violin and Orchestra" Boston Symphony Orchestra: Complete Recordings on Deutsche Grammophon "Treesong, Violin concerto": music composed and conducted by John Williams/BSO, Deutsche Grammophon Harry Potter: Original Motion Picture Soundtracks I-V Harry Potter and the Sorcerer's Stone (2001), Harry Potter and the Chamber of Secrets (2002), Harry Potter and the Prisoner of Azkaban (2004): composed and conducted by John Williams; Harry Potter and the Goblet of Fire (2005): composed and conducted by Patrick Doyle; Harry Potter and the Order of the Phoenix (2007): composed by Nicholas Hooper; Rhino "Fantasy For Violin And Orchestra On Porgy And Bess", "Three Preludes", "Songs For Violin And Orchestra", etc. Joshua Bell: The Classical Collection "Gershwin Fantasy": music conducted by John Williams/London SO, Sony Classical "Season One And Two Main Title Theme", "Season One And Two End Title Theme", "Season Three Main Title Theme", etc. Lost in Space: Title Themes from the Hit TV Series Some tracks composed and conducted by John Williams, Spacelab9. John Williams himself recorded most of his compositions. However, there are some exceptions, and this section is therefore complementary to the main discography. In addition, it presents a special section dedicated to each of his concert works that have been recorded. As Williams' film works are loved by the public, they were much recorded and continue to be, so another section containing selections of some his works recorded by other artists is also featured. Composition year Work title Premiere date Premiere performers Released year Prelude and Fugue 1965-03-29 Stan Kenton /L. A. Neophonic Orchestra Stan Kenton Conducts the Los Angeles Neophonic Orchestra, Capitol Records; reissued in 1998, Capitol Jazz. Essay for Strings 1965-12-06 André Previn /Huston Symphony John Williams Trumpet Concerto featuring Arturo Sandoval recording (Ronald Feldman/London Symphony) American Masters (Dirk Brosse/Chamber Orchestra of Philadelphia) (digital download) Stan Kenton/L. Neophonic Orchestra Family Album (Michael J. Colburn/U. S. Marine Band) Sinfonietta for Wind Ensemble Donald Hunsberger/Eastman Wind Ensemble Krzysztof Penderecki: Pittsburgh Overture / Toshiro Mayuzumi: Music With Sculpture / John T. Williams: Sinfonietta For Wind Ensemble; Deutsche Grammophon; reissued in Japan in 2005 (Donald Hunsberger/Eastman Wind Ensemble) Composed in 1968 for the Eastman Wind Ensemble Concerto for Flute and Orchestra Leonard Slatkin /Saint Louis Symphony Orchestra – St. Louis Violin Concerto/Flute Concerto ( Leonard Slatkin /London Symphony – Peter Lloyd, flute, recorded in 1983); reissued for digital download in 2014, Varèse Sarabande. Composed in 1969, remained unperformed until 1981 A Nostalgic Jazz Odyssey Donald Hunsberger/Eastman Wind Ensemble – Eastman, Georgia John Williams For Winds – Music for Cinema and Beyond (The United States Coast Guard Band, Captain Kenneth W. Megan) (free audio streaming) Composed for the Eastman Wind Ensemble Concerto for Violin and Orchestra 1981-01-29 Leonard Slatkin /Saint Louis Symphony – Mark Peskanov, Violin – St. Louis Violin Concerto/Flute Concerto ( Leonard Slatkin /London Symphony – Mark Peskanov, Violin; recorded in 1983); reissued for digital download in 2014, Varèse Sarabande. Composed at the suggestion of the late Barbara Ruick, first wife of the composer, begun in 1974, shortly after her death, and finished in 1976 Concerto for Violin and Orchestra, rev. 1998 Treesong (John Williams/Boston Symphony Orchestra – Gil Shaham on violin) Digital release ( Leonard Slatkin /Detroit Symphony – Emmanuelle Boisvert, Violin) Fanfare for a Festive Occasion 1980-11-14 Max Hobart/Boston Civic Sound the Bells! – American Premières for Brass (Alasdair Neale/The Bay Brass) Composed in 1980 for the Boston Civic Orchestra Jubilee 350 Fanfare 1980-09-21 John Williams/Boston Pops – Boston American Journey (John Williams/Recording Arts Orchestra of Los Angeles) Composed in 1980, in celebration of the City of Boston 's 350th anniversary. Subtitled "To the City of Boston". Pops on the March 1981-04-28 I Love A Parade (John Williams/Boston Pops) Originally commissioned by Arthur Fiedler in 1978, but only composed in 1981 America, The Dream Goes on America, The Dream Goes On (John Williams/Boston Pops) Composed in 1982, with lyrics by Alan and Marilyn Bergman, for solo vocal, chorus and orchestra America, the Dream Goes on (Andrew Lane/Orlando Pops); Same recording on 'John Williams, the Dream Goes on' (Andrew Lane/Orlando Pops), 1997. The Dream Goes On (Ralph M. Gambone/United States Navy Band & Sea Chanters Chorus) United States Air Force Band of Mid-America: Infinite Horizons (United States Air Force Band of Mid-America/Jones) Let Freedom Sing! - An Independence Celebration (Steve Cramer) Encore Collection - The Many Sounds Of The Mormon Tabernacle Choir (Craig Jessop) (Also available on the standalone album Spirit of America, which is the same disc within the 4-CD set Encore Collection) Olympic Fanfare and Theme 1984-07-28 John Williams/Los Angeles Philharmonic – Los Angeles The Official Music of the 1984 Games /The Official Music of the XIII Olympiad (Vinyl only) (Original Recording) (John Williams/Los Angeles studio orchestra) Composed for the 1984 Summer Olympic Games in Los Angeles By Request... (John Williams/Boston Pops) Pomp & Pizazz ( Erich Kunzel /Cincinnati Pops O) The Best Of John Williams (Philharmonic Rock O/Hayman) Summon the Heroes (John Williams/Boston Pops) – includes Leo Arnaud's ‘Bugler's Dream’ Fanfare World Anthems (Garcia, English Chamber O/Fraser) Canadian Scottish Regiment Pipes and Drums / Third Marine Aircraft Wing Band: Canadian Bagpipes and American Brass (United States Third Marine Aircraft Wing Band, Canadian Scottish Regiment Pipes and Drums) Gomalan Brass Quintet Center Stage (National S Winds/Graham) A John Williams Celebration (Gustavo Dudamel/Los Angeles Philharmonic Orchestra) (DVD & Blu-ray) Beecher Variations (Buffalo Silver Band, Bill Cocca) John Williams: At The Movies (Dallas Winds, Jerry Junkin) Celebrating John Williams (Los Angeles Philharmonic, Gustavo Dudamel) Live Recording Concerto for Tuba and Orchestra 1985-05-08 John Williams/Boston Pops – Chester Schimtz, Tuba – Boston 20th Century Concerti (David Snell/Foundation Philharmonic) Composed in 1985 for the Centennial of the Boston Pops New Music from Bowling Green, Vol. 3 (Emily Freeman Brown/Bowling Green Philharmonia) Works for Bass Trombone (As 'Concerto for Bass Trombone' [Reworked Version]) (Charles Vernon, Bass trombone/Eric Ewazen, piano) 20th Century Tuba Concertos (Oysten Baadsvik/Singapore Symphony Orchestra) On the Way: Works for Tuba (Andreas Martin Hofmeir/Münchner Philharmoniker/Andrew Manze) Mr. Tuba (Setsuko Ohori, Shimpei Tsugita, Tomohiro Nishikubo, Eijiro Nakagawa, Susumu Ogino) New York Philharmonic Orchestra - 175th Anniversay - 2016/2017 Season (Bray, Baer/New York Philh. O/Gilbert, Robertson) Digital Release: John Williams Tuba Concerto - Single (Dennis Nulty, Tuba, Slatkin, Detroit Symphony Orchestra) Liberty Fanfare 1986-07-04 John Williams/Boston Pops – New York City Hail To The Spirit Of Liberty ("The President's Own" United States Marine Band/Bourgeois) Composed for the Centennial of the Statue of Liberty in 1986. United States Air Force Tactical Air Command Band: We The People (Welsh, United States Air Force Tactical Air Command Band/Graham) American Jubilee ( Erich Kunzel /Cincinnati Pops O) Bridge Of Freedom: A commemoration Of The 40th Anniversary Of The Berlin Airlift 1949-1989 (Cronkie, The Band Of The United States Air Forces In Europe/Jessop) United States Air Force Band and Singing Sergeants: The Last Full Measure of Devotion (United States Air Force Singing Sergeants, United States Air Force Band/Bonner) America, the Dream Goes on (Andrew Lane/Orlando Pops) Victory At Sea (United States Navy Band) A Splash Of Pops (Keith Lockhart/Boston Pops Orchestra) A Patriotic Salute To The Military Family London International Tattoo 2000 (Vladimir Yaskevich) American Classics - An American Salute - Spirit Of The Nation Liberty For All! (Lewis J. Buckley/United States Coast Guard Band) (excerpt) Ceremonial Music 2 (United States Air Force Heritage Of America Band) United States Navy Band: Showcase (United States Navy Band/Field) 2009 Midwest Clinic: Symphonic Wind Orchestra "la Armonica" (Frank De Vuyst) John Williams: Greatest Hits (Evan Christ) Winds of War and Peace (National S Winds/Graham) 2014 Florida Music Educators Association (FMEA): All-State Concert Band & All-State Symphonic Band (Florida All-State Women's Ch., Florida All-State Concert Band/Nix, Florida All-State S Band/Dunnigan) 2016 Illinois Music Educators Association (ILMEA): Honors Band & All-State Band [Live] (Illinois Honors Band, Illinois All-State Ch., Illinois Combined Honors Ens., Illinois All-State Band, Illinois Combined All-State Ens., Linda Moorhouse, John Bell) 2016 Midwest Clinic: Tokyo Geidai Wind Orchestra (Tokyo Geidai Wind Orchestra/Yamamoto); Arrangement for Wind Ensemble We're Lookin' Good! 1987-05-05 Quality Plus (P. Evans/The Band of the Corps of Royal Engineers) Composed in 1987 for the Special Olympics, with lyrics by Alan and Marilyn Bergman Esprit ("The Commandant’s Own" US Marine Drum & Bugle Corps); Arrangement for Drum and Bugle Corps. A Hymn to New England American Visions (Keith Lockhart/Boston Pops) Composed in 1987 for the Omni Theatre, Boston 2000 Midwest Clinic (Charles T. Menghini/Vandercook College Of Music Symphonic Band) John Williams: The Denver Brass (Kenneth Singleton/Denver Brass) John Williams For Winds – Music for Cinema and Beyond (The United States Coast Guard Band, Captain Kenneth W. Megan) (Free Audio Streaming) Journeys (The United States Air Force Band/Lang) For New York (To Lenny!, To Lenny! ) (Variations on Themes by Leonard Bernstein) Tanglewood Composed in 1988 for Leonard Bernstein's 70th birthday celebrations in Tanglewood Bernstein: Marin Alsop's Complete Naxos Recordings (São Paulo SO/Alsop) To Make Us Proud: A Leonard Bernstein Tribute (Fettig, Director / The President's Own United States Marine Band). Transcribed by Paul Lavender Olympic Spirit (NBC Sports Theme) The 1988 Summer Olympics Album – Original Recording Commissioned by NBC for the Seoul Olympic games broadcast in 1988 Summon the Heroes (John Williams/Boston Pops) Winter Games Fanfare Composed in 1989 for the Alpine Ski Championship, Vail, Colorado Celebrate Discovery 1990-07-04 John Williams/Boston Pops Esplanade Orchestra – Tanglewood Composed in 1990 for the 500th celebration of the arrival of Columbus to America Concerto for Clarinet and Orchestra 1991-04-13 John Williams/Riverside County Philharmonic – Michele Zukovsky, Clarinet – Los Angeles John Williams: Clarinet Concerto (John Williams/Los Angeles Philharmonic – Michele Zukovsky on clarinet, recorded in 1991); reissued for digital download in 2010, Michele Zukovsky. Composed in 1991 for Michele Zukovsky, principal clarinet of the LA Philharmonic Fanfare for Prince Philip (Aloft... To the Royal Masthead) 1992-07-13 John Williams/Boston Pops Sound the Bells! – American Premières for Brass (Original Version for Brass and Percussion) (Alasdair Neale/The Bay Brass) Composed in 1992 for the visit of Prince Philip to Boston, at the request of Boston Symphony Orchestra patron Frances Fahnstock Sound the Bells! 1993-06-10 John Williams/Boston Pops – Japan Composed on 1993 Memorial Day for brass and percussion, as a wedding gift to the Japanese princess Masako Sound The Bells - A Holiday Celebration (United States Army Field Band) 2016 Pennsylvania Music Educators Association (PMEA): All-State Wind Ensemble & All-State Concert Band [Live] (Pennsylvania All-State Wind Ens., Pennsylvania All-State Concert Band, Emily Threinen, Shannon Kitelinger) 2016 Texas Music Educators Association (TMEA): Aledo High School Wind Ensemble (Live) (Aledo High School Wind Ens., Joey Paul, Jolette Wine, Keith Bearden, Olivia Ramirez, Jake Albin) Concerto for Bassoon and Orchestra (The Five Sacred Trees) 1995-04-15 Kurt Masur /New York Philharmonic – Judith LeClair, Basoon John Williams: The Five Sacred Trees (John Williams/London Symphony – Judith LeClair, bassoon) Composed in 1993 for the 150th celebration of the New York Philharmonic Kurt Masur /New York Philharmonic – Judith LeClair, basoon Digital Release ( Leonard Slatkin /Detroit Symphony – Robert Williams, bassoon) Satellite Celebration (Song for World Peace), rev. 2002 1995-01-01 Seiji Ozawa /Saito Kinen – Isaac Stern, violin and Yo-Yo Ma, cello among others – Tokyo Composed in 1994 for the 1995 New Year's Day special broadcast, at the request of Seiji Ozawa Concerto for Cello and Orchestra 1994-07-07 John Williams/Boston Symphony Orchestra – Yo-Yo Ma, cello – Tanglewood Yo-Yo Ma Plays the Music of John Williams (John Williams/Recording Arts Orchestra of Los Angeles – Yo-Yo Ma, Cello) Composed in 1994 for the opening of the Seiji Ozawa Hall in Tanglewood Concerto for Cello and Orchestra, rev. 2012 Digital Release ( Leonard Slatkin /Detroit Symphony – Robert DeMaine, Cello) Variations on Happy Birthday 1995-07-23 John Williams/Boston Symphony Orchestra – Tanglewood A Tribute to John Williams: An 80th Birthday Celebration (John Williams/Recording Arts Orchestra of Los Angeles) Composed in 1995 to celebrate the birthdays of Yo-Yo Ma, Itzhak Perlman and Seiji Ozawa Summon the Heroes 1996-07-19 John Williams/Atlanta Symphony – Atlanta Summon the Heroes (John Williams/Boston Pops); Same recording on 'American Journey' (John Williams/Boston Pops), 2002. Composed in 1995 for the Centennial Olympic Games in Atlanta, 1996. Dedicated to Tim Morrison, principal trumpeter of the Boston Symphony Orchestra. Waterloo (Capt. Wayne Hopla/The King's Division Waterloo Band) Summon The Heroes (Capt. J. Young/Royal Lancers Band) United States Air Force Band of Mid-America: Heroes, Lost and Fallen (United States Air Force Band of Mid-America/Pohl) Call To Duty (Finley R. Hamilton /United States Army Field Band & Soldiers' Chorus) From Sea To Shining Sea (Dana Rodgers, Charles Osgood, James Burchfiel, Timothy Morrison) Pershing's Own (United States Army Band "Pershing's Own") Strength Of The Nation (United States Army Field Band) Summon The Heroes (Band Of H. m. Royal Marines) Chimes Of Liberty (Truman W. Crawford/United States Marine Drum & Bugle Corps) United States Army Concert Band: Carnival (United States Army Concert Band/Shelburne Jr., Lamb) Take One (Vienna Brass Connection) Concerto for Trumpet and Orchestra 1996-10 Christoph von Dohnányi/Cleveland Orchestra – Michael Sachs on trumpet Composed in 1996 for Michael Sachs, first trumpet of the Cleveland Orchestra Concertos for Trumpet and Orchestra (Jouko Harjanne/Finnish Radio Symphony Orchestra) 2016 Midwest Clinic: "The President's Own" United States Marine Band – Concert One (United States Marine Band/Fettig, Foley, Colburn); Arrangement for Trumpet & Wind Ensemble 2019-03-08 Hooten Plays Williams (Thomas Hooten, principal trumpet Los Angeles Philharmonic / John Williams, Conductor / Members of the LA Phil and other LA musicians) - Kickstarter small album project including Born on the Fourth of July. Elegy for Cello and Piano, rev. 2002 Premiered by John Williams, piano and John Waltz, cello. Later arranged for cello and orchestra. Yo-Yo Ma Plays the Music of John Williams (Re-arrangement. Original arrangement unreleased) (John Williams/Recording Arts Orchestra of Los Angeles – Yo-Yo Ma, Cello) Composed in 1997 for a memorial service in Los Angeles. Based on a secondary theme from Seven Years in Tibet. We'll Paint You a Rainbow (Angeli Ensemble conducted by Michael Nowak, featuring Lynn Harrell on cello) American Journey (The Unfinished Journey – Celebration 2000) 1999-12-31 Originally composed as the score for the Steven Spielberg short documentary The Unfinished Journey. Subsequently, adapted as a concert work in 6 movements: ‘Immigration and Building’, ‘The Country at War’, ‘Popular Entertainment’, ‘Sports and Celebrities’, ‘Civil Rights and The Woman’s Movement’ and ‘Technology and Flight’. Gardens Of Stone (United States Coast Guard Band) American Journeys (arr. for band by Paul Lavender, Kenneth W. Megan Jr. /U. Coast Guard Band) (Excerpt) Midwest Clinic 2015: The U. Army Orchestra (Michael Ford (tenor), Manuel Bobenrieth (accordion), Terry Bingham (trumpet), United States Army O, Treg Ancelent, Anthony Maiello, Timothy J. Holtan) Three Pieces for Solo Cello 2002-08-04 Yo-Yo Ma Plays the Music of John Williams (John Williams/Recording Arts Orchestra of Los Angeles – Yo-Yo Ma, cello) Composed in 2000 for Yo-Yo Ma Composing Without The Picture (Richard Harwood, solo cello; digital release) TreeSong for Violin and Orchestra 2000-07-08 John Williams/Boston Symphony Orchestra – Gil Shaham, violin Treesong (John Williams/Boston Symphony Orchestra – Gil Shaham on Violin) Composed in 2000 for Gil Shaham Heartwood: Lyric Sketches for Cello and Orchestra John Williams/Boston Symphony Orchestra – Yo-Yo Ma, cello – Boston Composed in 2001 for Yo-Yo Ma Call of the Champions 2002-02-08 John Williams/Utah Symphony and Mormon Tabernacle Choir – Salt Lake City Composed in late 2001 for the Salt Lake City winter Olympic Games of 2002 John Williams /Utah Symphony and Mormon Tabernacle Choir – Salt Lake City Air Force Blue (Larry H. Lang/United States Air Force Band, United States Air Force Singing Sergeants) Escapades, concerto for alto saxophone & orchestra American Spectrum (Branford Marsalis and the North Carolina Symphony Orchestra conducted by Grant Llewellyn) Originally composed as the score for the Steven Spielberg movie Catch Me If you Can. Subsequently, adapted as a concert work in 3 movements: 'Closing In', 'Reflections', 'Joy Ride'. Our Musical Legacy (USAF Band of the Golden West/Bland, Martin) Intrinsic Versatility (Miles Osland, Clarinet; Miles Osland, Flute; Vince DiMartino, Flugelhorn; Vince DiMartino, Trumpet); Raleigh Dailey, Piano; Miles Osland, Saxophone) (arr. for small band). Catch Me If You Can (Amy Dickson, Saxophone) Escapades (Jan Schulte-Bunert, Saxophone) The Spielberg/Williams Collaboration Part III (John Williams/Recording Arts O of LA) Soundings 2003-10-25 John Williams /Los Angeles Philhamonic A John Williams Celebration (Gustavo Dudamel/Los Angeles Philharmonic Orchestra; Itzhak Perlman, violin) (DVD & Blu-ray) Composed for the Walt Disney Concert Hall Concerto for Horn and Orchestra 2003-11-29 John Williams / Chicago Symphony Orchestra – Dale Clevenger, Horn – Chicago Digital Release ( Leonard Slatkin /Detroit Symphony – Karl Pituch, Horn) Composed for the Chicago Symphony Orchestra 's principal horn Dale Clevenger 2019-03-17 Williams Horn Concerto - Piano reduction on album From Screen to Concert Hall: Solo and Chamber Works for Horn (Daffyd Bevil, Horn / Satoko Hayami, Piano) Duo Concertante for Violin and Viola 2007-08-17 John Williams /Boston Pops – Victor Romanul, Violin – Michael Zaretsky, Viola – Tanglewood Duos for Violin and Viola (Victor Romanul / Michael Zaretsky) Composed for Michael Zaretsky 2007? Violin Fantasy on Fiddler on the Roof (Cadenza and Variations) Violin Showcase (Matthieu Arama, violin / Aurelien Pontier, piano) Fiddler On The Roof [2016 Broadway Cast] (performed by Itzhak Perlman, directed by Ted Sperling) Air and Simple Gifts 2009-01-20 Yo-Yo Ma, Cello – Itzhak Perlman, Violin – Gabriela Montero, Piano – Anthony McGill, Clarinet – Washington, DC John Williams: Air and Simple Gifts / Ma, McGill, Montero, Perlman; iTunes release Composed for Barack Obama 's Inaugural Ceremony On Willows and Birches (Concerto for Harp and Orchestra) 2009-09-23 John Williams /Boston Symphony Orchestra – Boston Digital Release (Shi-Yeon Sung/Boston Symphony Orchestra - Ann Hobson Pilot, Harp) Composed for Ann Hobson Pilot Stargazers, for harp and orchestra 2009-07-18 John Williams /Boston Symphony Orchestra – Ann Hobson Pilot, harp – Tanglewood Lights,! Six Decades of John Williams ( Keith Lockhart /Boston Pops) Concert work for harp and orchestra inspired by the piece "E. and me" from E. The Extra-Terrestrial Concerto for Oboe and Orchestra 2011-05-25 John Williams /Boston Pops – Keisuke Wakao, Oboe – Boston Digital Release ( John Williams /Boston Pops) Composed for Keisuke Wakao Fanfare for Fenway 2012-04-20 John Williams /Boston Pops – Fenway Park in Boston 2012 Midwest Clinic: The United States Air Force Band Chamber Ensembles Composed in celebration of the 100th anniversary of Fenway Park. Everything Beautiful (Anne Bither Reynolds, DePauw University Band, Craig Paré) Rounds 2012-06-02 Pablo Sáinz Villegas - Parkening International Guitar Competition in Malibu ( California) Americano ( Pablo Villegas, guitar) Dedicated "with great admiration for Christopher Parkening and the Parkening International Guitar Competition". Meng (Meng Su, guitar). Rovshan Mamedkuliev – Guitar Recital. Fanfare "For the President's Own" 2013-05-26 Wolf Trap National Park for the Performing Arts in Fairfax County, Virginia (Michael J. Colburn/United States Marine Band) Be Glad Then, America (United States Marine Band) Composed for the 215th anniversary of the United States Marine Band. American Voices (The US Air Force Concert Band) Inventions (North Texas Wind Symphony/Corporon) 2016 Midwest Clinic: "The President's Own" United States Marine Band – Concert One (United States Marine Band/Fettig, Foley, Colburn) 2017 Texas Music Educators Association (TMEA): University of Texas at Arlington Wind Symphony (University of Texas Arlington Wind Symphony/Stotter, Evans) Conversations 2012-08-10 First two movements premiered by Gloria Cheng on August 10, 2012 in Tanglewood. Third and Fourth movements premiered by Gloria Cheng on November 12, 2013 in Los Angeles. Montage - Great Film Composers And The Piano (Gloria Cheng) Composed for Gloria Cheng Music for Brass 2014-06-12 National Brass Ensemble, Sonoma County. Gabrieli: National Brass Ensemble Composed for the National Brass Ensemble 2016 Midwest Clinic: The 'President's Own' United States Marine Band Chamber Ensembles (Lt. Col. Jason Fettig, Director) "Markings" for solo violin, strings and harp 2017-07-16 Premiered by Andris Nelsons and the Boston Symphony with Anne-Sophie Mutter, violin Across The Stars - Deluxe Edition (Mutter, Recording Arts Orchestra of Los Angeles/Williams) Composed for Anne-Sophie Mutter Highwood's Ghost, An Encounter for Cello, Harp and Orchestra 2018-08-19 Premiered by Andris Nelsons and the Tanglewood Music Center Orchestra; John Williams led the Boston Symphony Orchestra (with other orchestra members from around the world) the week after. Jessica Zhou and Yo-Yo Ma performed at both concerts. Bernstein at 100 - The Centennial Celebration at Tanglewood Blu-ray and DVD release. John Williams, conductor. Composed to celebrate Leonard Bernstein's 100th birthday for Jessica Zhou, Harp, and Yo-Yo Ma, Cello.

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[mkv] Movie Stream Run This Town

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1. 
2. Creator: Rick Kriseman
3. Info: Mayor of St. Petersburg, Florida and Chair, @USMayors Environment Cmte. #SunShinesHere

Liked it - 45 vote / An emerging political scandal in Toronto in 2013 seen through the eyes of young staffers at city hall and a local newspaper / Creator - Ricky Tollman / ratings - 7,9 of 10 star / Actor - Nina Dobrev / Run this town kobe bryant. Run this town by jay-z. Run this town posthumus zone.

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Great anime with a great song make a great vid! love love love. D really hope there is a second season. I LIKEE! This is great <3. Run this town nina dobrev. Kanye is sick live. Energetic but doesn't shout like other rappers do. Run This town. Hold on cause I'm letting go I'm gonna lasso your heart like a rodeo I'm gonna give you some till you want some more Cause all I see is an open door And I see where it's leading me All of this energy, been bottled up way too long It's powerful, powerful You see what I'm getting at I'm ready for all of that If I'm not a star, you're blind I've got rings on my fingers And glitter in my hair I bought a one-way ticket And I just got here I'm gonna run this town Run this town I'm gonna run this town Run this town I've got high heel stilettos And I'm kicking in doors And kissing your ass ain't what my lipstick's for I'm gonna run this town Run this town I'm gonna run this town Run this town tonight I'm climbing high but there ain't no net You like to see me jump a bit Well everyday's just like Russian roulette I'm gonna play, play, play with no regrets Cause I'm tired of second best Tired of sitting, bitch Tired of hypocrites Twisted like licorice I'm crushing them in my fist Hushing their ignorance You had your chance, now's mine I've got rings on my fingers And glitter in my hair I bought a one-way ticket And I just got here I'm gonna run this town Run this town I'm gonna run this town Run this town I've got high heel stilettos And I'm kicking in doors And kissing your ass ain't what my lipstick's for I'm gonna run this town Run this town I'm gonna run this town Run this town Tonight, nothing's standing in my way There's no obstacles anymore In a minute, I'll be on my way To the moment I've been waiting for I've got rings on my fingers And glitter in my hair Bought a one-way ticket and I just got here I'm gonna run this town Run this town I'm gonna run this town tonight I've got rings on my fingers And glitter in my hair I bought a one-way ticket and I just got here I'm gonna run this town Run this town I'm gonna run this town Run this town I've got high heel stilettos And I'm kicking in doors And kissing your feet ain't what my lipstick's for I'm gonna run this town Run this town I'm gonna run this town Run this town I'm gonna run, I'm gonna run, gonna run Run this town I'm gonna run, I'm gonna run, gonna run Run this town tonight Run this town, run this town tonight I'm gonna run this town, run this town tonight (Tonight, tonight, tonight.

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Run this town rotten tomatoes. The energy of the crowd. i so wish i couldve been there. J & K, syria can borrow Philippines soldiers. N they will put the terrorist on the right track. 涼太くんの衣装ってジャケットとかストール多くないですか？ 毎回かっこいい(灬ºωº灬)♡. Plot: An emerging political scandal in Toronto in 2013 seen through the eyes of young staffers at city hall and a local newspaper. Runtime: 99 min Release Date: 06 Mar 2020 Starcast: Ben Platt, Mena Massoud, Damian Lewis, Nina Dobrev, Scott Speedman Director(s): Ricky Tollman Genre: Drama, IMDb: Downloads: 1291. 0 IMDb Rating: Social:. I want me back including my life A. Too young to settle down. Run this town showtimes. Run this town nashville predators.

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Scroll down to see where Run This Town (2010) is available to watch online. 81 / 100 based on 13 votes Watch Now You can watch Run This Town (2010) on these websites: Website Rating Available Offer Link Amazon Prime Instant Video 30 Day Free Trial Visit Info Now TV Sky Cinema 14 Day Free Trial Now TV Entertainment Info The links here show which websites are streaming Run This Town at the moment. Websites are continuously updating their catalogues by adding new movies and TV shows - so watch it while it's still available. You'll also see there are free trials on offer, so you might be able to watch it for free if you are a new customer! The information about where movies are available online is refreshed every 72 hours. Every service is licensed to show the full movie in it's original studio-released format. Subtitles in English and/or foreign languages may be available. Please check on a case by case basis. Find out more about the movie streaming websites: Watch on Amazon Prime Run This Town (2010) is available to watch on Amazon Prime: Watch on Now TV Sky Cinema Run This Town (2010) is available to watch on Now TV Sky Cinema: Watch on Now TV Entertainment Run This Town (2010) is available to watch on Now TV Entertainment: Recommended TV Shows Taxi Brooklyn 2014 TV Show 63/100 TAXI: BROOKLYN is an action-comedy police procedural centered on the fractious, closely bonded partnership between a streetwise Marseilles-born New York City taxi driver and an intensely... See full summary » Watch Now The Last Man on Earth 2015 TV Show 74/100 Almost two years after a virus wiped out most of the human race, Phil Miller only wishes for some company, but soon gets more than he bargained for when that company shows up in the form of other survivors. Watch Now Chicago P. D. 2014 TV Show 81/100 Follows District 21 of the Chicago Police Department, which is made up of two distinctly different groups: the uniformed cops and the Intelligence Unit. Watch Now Tyrant 2014 TV Show 78/100 An unassuming American family is drawn into the workings of a turbulent Middle Eastern nation. Watch Now Daredevil 2015 TV Show 87/100 A blind lawyer by day, vigilante by night. Matt Murdock fights the crime of New York as Daredevil. Watch Now Recommended Movies Gallowwalkers 2012 Feature Film 36/100 A cursed gunman (Snipes) whose victims come back from the dead recruits a young warrior to help in the fight against a gang of zombies. Watch Now Suddenly 2002 Feature Film 65/100 An Argentinian Dutch and Latin Comedy Drama where a young naive girl Marcia (Tatiana Saphir) learns about her sexuality... Watch Now Tuck Everlasting 2002 Feature Film 67/100 A young woman meets and falls in love with a young man who is part of a family of immortals. Watch Now Intersection 1994 Feature Film 53/100 While driving on a remote highway, a man is torn between choosing to reunite with his estranged wife or taking up with his lovers Watch Now I Still Know What You Did Last Summer 1998 Feature Film 46/100 The murderous fisherman with a hook is back to once again stalk the two surviving teens, Julie and Ray, who had left him for dead, as well as cause even more murder and mayhem, this time at a posh island resort. Watch Now Comments Related Links.

Run this town d minor. Run This town girl. Run this town lyrics jay-z. Run This towns. Removed the best verse on the entire album smh. The Most Honorable Act Of Battle Is To Die In Battle, The Most Dishonorable Act Of Battle Is To Surrender! Emperor Of Japan Hirohito. Run this town instrumental.

I posted this song to insta I am addicted to this song

RUDEだ! めちゃめちゃ懐かしい！ 何年経ってもかっこいい｡ 血の繋がりはなくても家族ってお互いを呼べる絆やすごい疾走感溢れるパルクールに歌にダンス｡かっこいい｡ 改めてハイロー大好き｡. Run this town mgk. What time did they go on. I got tickets to the show Aug 13 it starts at 7:30.

 

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